White man's power runs through copper wires. When the wire is cut, their clocks all stop, Geronimo whispers to Wylie E. Chatto, a mentally challenged young Apache man. Soon, Chatto smells rosemary--the scent of complicated things, of trouble brewing on an electric stove.
Electricity is the first to go. Then gasoline. Then law and order.
The Sacred Alarm Clock doesn't tick. It rides in on an influenza strain called New Flu. It starts with nausea but soon goes to the brain and puts the victim into a Spanish Inquisition frame of mind.
Civilization's last hope lies in the hands of people who never quite fit into the old world. People like Chatto, who saw the whole thing coming in a vision; Mona and Chris, star-crossed lovers hiking across a ravaged countryside in search of civilization; Karma and Joseph, a pair of outcast teenagers who find themselves at odds with a city full of wild dogs and crazy people; and Mary, who forages for food and ammunition across a derelict urban landscape while avoiding gangs intent on her rape and murder.
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Everything John T. Biggs writes is so full of Oklahoma that once you read it, you'll never get the red dirt stains washed out of your mind. The tribes play a significant role. No authentic discussion of the state is possible without them. Traditional Native American legends are reworked and set in the modern era, the way oral historians always intended. One of John's stories, "Boy Witch," took grand prize in the 80th annual Writer's Digest Competition in 2011. Another won third prize in the 2011 Lorian Hemingway short story contest. Eighty of his short stories have been published in one form or another, along with several of his novels-Owl Dreams, Popsicle Styx, Cherokee Ice, and Sliders.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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