The first in-depth survey of Whitney's endless experimentation with color.
The esteemed American painter Stanley Whitney has, for 50 years, created joyful, immersive abstractions characterized by a bold, experimental palette and unique rhythm. Over the last 20 years, he has structured his paintings as loose grids: a consistent framework that frees him to work through seemingly infinite painterly variations and allows viewers to focus not on each painting's subject, but rather on our own response to color. These large-scale paintings are joined by improvisatory small paintings; drawings and prints, which constitute their own practice for Whitney; and the artist's sketchbooks, which offer a view into Whitney's engagement with the written word and politics.
This traveling North American exhibition is Whitney's first museum survey, presenting 170 paintings and works on paper spanning from the 1970s to the present day. The catalog includes an introduction by exhibition organizer Cathleen Chaffee, scholarly explorations of the artist's paintings and works on paper, a chronology and illustrations of all works in the exhibition.
Stanley Whitney was born in 1946 near Philadelphia. By the early 1970s, following studies with Philip Guston and Robert Reed, and influenced by artists including Jack Whitten, Josef Albers and Piet Mondrian, he had come to see "endless possibilities" in abstraction. Over the past five decades, he has honed a unique body of densely gridded, but endlessly variable, abstract paintings, as well as drawings and prints, reflecting his interests in art, architecture, textiles and music.
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The first in-depth survey of Whitney's endless experimentation with color.
The esteemed American painter Stanley Whitney has, for 50 years, created joyful, immersive abstractions characterized by a bold, experimental palette and unique rhythm. Over the last 20 years, he has structured his paintings as loose grids: a consistent framework that frees him to work through seemingly infinite painterly variations and allows viewers to focus not on each painting's subject, but rather on our own response to color. These large-scale paintings are joined by improvisatory small paintings; drawings and prints, which constitute their own practice for Whitney; and the artist's sketchbooks, which offer a view into Whitney's engagement with the written word and politics.
This traveling North American exhibition is Whitney's first museum survey, presenting 170 paintings and works on paper spanning from the 1970s to the present day. The catalog includes an introduction by exhibition organizer Cathleen Chaffee, scholarly explorations of the artist's paintings and works on paper, a chronology and illustrations of all works in the exhibition.
Stanley Whitney was born in 1946 near Philadelphia. By the early 1970s, following studies with Philip Guston and Robert Reed, and influenced by artists including Jack Whitten, Josef Albers and Piet Mondrian, he had come to see "endless possibilities" in abstraction. Over the past five decades, he has honed a unique body of densely gridded, but endlessly variable, abstract paintings, as well as drawings and prints, reflecting his interests in art, architecture, textiles and music.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardcover. Etat : As new. Quarto. Hardcover. Matte color insulated boards. 295 pages : color illustrations ; 30 cm. "To accompany the exhibition, the Buffalo AKG and DelMonico Books will publish the most comprehensive catalog yet dedicated to Stanley Whitney's pioneering fifty-year career. The book's essays contextualize Whitney's best-known gridded paintings from the past two decades alongside an historical assessment of his practice; the interconnected development of his works on paper; Whitney's relationship with the written word; and the influences on his practice from art history, poetry, music, quilting, and more. The catalog features new essays by exhibition curator Chaffee and host curators Ruth Erickson, Barbara Lee Chief Curator and Director of Curatorial Affairs, The Institute of Contemporary Art/Boston (ICA) and Pavel S. Py , Curator of Visual Arts at the Walker Art Center, Minneapolis. It also features texts by Kim Conaty, Steven and Ann Ames Curator of Drawings and Prints at the Whitney Museum of American Art, New York; Norma Cole, a poet, painter, and translator; and Duro Olowu, a London-based fashion designer and curator. These exciting examinations of and reflections on the arc of Whitney's career are presented alongside full-color reproductions of the works featured in the retrospective, a robust bibliography, an exhibition history, an illustrated chronology, and an extensive interview with the artist by Grégoire Lubineau and conversation between Cole and Whitney" --. N° de réf. du vendeur 214758
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