2022 Button Poetry Prize Runner-Up
How to Maintain Eye Contact takes readers through a journey of uncertainty and what we make of it.
Set in three sections, Robert Wood Lynn explores interior uncertainty, interpersonal uncertainty and uncertainty at a larger scale. These narrative poems, influenced by storytelling traditions, find themselves at the nexus of the intimate and the humorous, as well as the absurd and the tragic. These poems examine isolation and grief in their many forms--through heartbreak or the death of loved ones, or show us the world looking back at itself after it ends.
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Robert Wood Lynn is the author of Mothman Apologia (Yale University Press 2022), selected by Rae Armantrout as the winner of the 2021 Yale Series of Younger Poets prize. His poems have recently appeared in The Cincinnati Review, Narrative Magazine, Shenandoah, The Southern Review and other journals. He splits his time between Brooklyn, New York and Rockbridge County, Virginia.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : new. Paperback. 2022 Button Poetry Prize Runner-Up How to Maintain Eye Contact takes readers through a journey of uncertainty and what we make of it. Set in three sections, Robert Wood Lynn explores interior uncertainty, interpersonal uncertainty and uncertainty at a larger scale. These narrative poems, influenced by storytelling traditions, find themselves at the nexus of the intimate and the humorous, as well as the absurd and the tragic. These poems examine isolation and grief in their many forms--through heartbreak or the death of loved ones, or show us the world looking back at itself after it ends. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781638340461
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Vendeur : Revaluation Books, Exeter, Royaume-Uni
Paperback. Etat : Brand New. 64 pages. 8.50x5.50x0.25 inches. In Stock. N° de réf. du vendeur 1638340463
Quantité disponible : 1 disponible(s)