Who gets pockets, and why?
It's a subject that stirs up plenty of passion: Why do men's clothes have so many pockets and women's so few? And why are the pockets on women's clothes often too small to fit phones, if they even open at all? In her captivating book, Hannah Carlson, a lecturer in dress history at the Rhode Island School of Design, reveals the issues of gender politics, security, sexuality, power, and privilege tucked inside our pockets.
Throughout the medieval era in Europe, the purse was an almost universal dress feature. But when tailors stitched the first pockets into men's trousers five hundred years ago, it ignited controversy and introduced a range of social issues that we continue to wrestle with today, from concealed pistols to gender inequality. See: #GiveMePocketsOrGiveMeDeath.
Filled with incredible images, this microhistory of the humble pocket uncovers what pockets tell us about ourselves: How is it that putting your hands in your pockets can be seen as a sign of laziness, arrogance, confidence, or perversion? Walt Whitman's author photograph, hand in pocket, for Leaves of Grass seemed like an affront to middle-class respectability. When W.E.B. Du Bois posed for a portrait, his pocketed hands signalled defiant coolness.
And what else might be hiding in the history of our pockets? (There's a reason that the contents of Abraham Lincoln's pockets are the most popular exhibit at the Library of Congress.) Thinking about the future, Carlson asks whether we will still want pockets when our clothes contain "smart" textiles that incorporate our IDs and credit cards.
Pockets is for the legions of people obsessed with pockets and their absence, and for anyone interested in how our clothes influence the way we navigate the world.
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Hannah Carlson is an authority on the history of clothing and an award-winning researcher and author. She has been featured on the podcast 99% Invisible, as well as in The Los Angeles Times, Fast Company, and The New Yorker. A senior lecturer in the apparel design department at the Rhode Island School of Design, she has acted as the faculty fellow in Costumes and Textiles at the RISD Museum and trained as a Conservator of Costume and Textiles at the Fashion Institute of Technology. A graduate of Wesleyan University, she earned a master’s degree from FIT, and a Ph.D. in material culture from Boston University.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Vendeur : World of Books Inc, Montgomery, IL, Etats-Unis
Hardback. Etat : Good. "Who knew the humble pocket could hold so much history? In this enthralling and always surprising account, Hannah Carlson turns the pocket inside out and out tumble pocket watches, coins, pistols, and a riveting centuries-long social and political history." ?Jill Lepore, author of These Truths: A History of the United States. N° de réf. du vendeur CIN1643751549G
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hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! N° de réf. du vendeur S_477796153
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Hardcover. Etat : new. Hardcover. A fascinating and surprising social and design history of the sewn-in pocket, from the mid-fifteen hundreds up to today that uncovers what pockets reveal about us, our place in society, and how we move through the world. Who is allowed pockets and why? Why is it that mens clothes are full of pockets while womens have so few? How is it that putting your hands in them can be seen as a sign of laziness, arrogance, confidence, or perversion? Throughout the medieval era, the purse was an almost universal dress feature carried by men and women alike. But when mens bags, ostentatiously belted at their hips in Western Europe, moved inside clothing and the sewn-in pocket emerged, it ignited controversy and introduced a range of social issues concerning security, sexuality, power, and privilege that we continue to wrestle with today. In this abundantly illustrated four-color book, Hannah Carlson, who teaches in the apparel design department at the Rhode Island School of Design, asks a question many women are asking every day: Why do men get so many pockets, but women do not? But this pocket history is about a lot more than the politics of gender. Among her other questions: What did Walt Whitman do to usher in a new attitude toward pockets? Why are the contents of Abraham Lincolns pockets the most popular exhibit at the Library of Congress? What is the connection between pockets and pistols? And what else do we hide in our pockets? The book begins when tailoring receipts for mens sewn-in pockets first show up in the fifteen hundreds, and continues up to today, as hashtags like #PocketInequality, #wewantpockets, and #givemepocketsorgivemedeath have mobilized thousands of women to demand more from the companies they patronize. And The Pockets Book explores whether we will still need pockets when our clothes contain smart textiles that incorporate our IDs and credit cards and when our thumbprints replace the keys that open our front doors? The Pockets Book is for anyone intrigued by fashion but also for readers who want to discover the impact that the humble pocket has had on our culture, both high culture and pop culture. Fun, fascinating, abundantly illustrated with 4-color images, this thought-provoking microhistory of the humble pocket that uncovers what pockets reveal about us-and why it matters-for the legions of people, women especially, obsessed with pockets and the lack thereof. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781643751542
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