Explores the origins and practices of early alchemy
• Examines the oldest surviving alchemical texts, the original purpose of the “Royal Art,” and the first alchemists, showing how women dominated early alchemy
• Looks at the historical setting for the first alchemists, with detailed accounts of their apparatus, recipes, chemical processes, and the ingredients they used
• Reveals how changing the color of materials was more important in early alchemy than transmuting base metals into gold
Investigating the origins of alchemy and the legend of the Philosopher’s Stone, Tobias Churton explores the oldest surviving alchemical texts, the original purpose of the “Royal Art,” and the first alchemists themselves.
Showing how women dominated early alchemy, Churton looks at the first known alchemist, the Jewess Maria the Prophetess, the early alchemist Cleopatra (not the well-known Egyptian queen), and 3rd–4th century Egyptian female artisan Theosebeia, who had a guild of adepts working under her. He examines in depth the work of Zosimos of Panopolis, whose work inspired the medieval view of alchemy as an initiatory path for the transmutation of base metals into gold.
The author also discusses the political and industrial realities facing the first alchemists. He examines the late antique “Stockholm” and “Leiden” papyri, which offer detailed knowledge of the first known Graeco-Egyptian chemical recipes for gold and silver dyes for metal and stone and purple dyes for wool. He reveals how the alchemical secrets for working with the “living statues” of the Egyptian temples was jealously guarded by the priesthood and how secrecy helped to reinforce beliefs that alchemical knowledge came from forbidden, celestial sources. He also investigates the mysterious relation between alchemy, spiritual gnosis, Hermeticism, and the Book of Enoch.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Tobias Churton is Britain’s leading scholar of Western Esotericism, a world authority on Gnosticism, Hermeticism, and Rosicrucianism. He is a filmmaker and the founding editor of the magazine Freemasonry Today. An Honorary Fellow of Exeter University, where he is faculty lecturer in Rosicrucianism and Freemasonry, he holds a master’s degree in Theology from Brasenose College, Oxford, and created the award-winning documentary series and accompanying book The Gnostics, as well as several other films on Christian doctrine, mysticism, and magical folklore. The author of many books, including Gnostic Philosophy, The Invisible History of the Rosicrucians, and Aleister Crowley: The Beast in Berlin, he lives in England.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : New. Explores the origins and practices of early alchemy. Investigating the origins of alchemy and the legend of the Philosopher's Stone, Tobias Churton explores the oldest surviving alchemical texts, the original purpose of the "Royal Art," and the first alchemists themselves. He reveals the theories and philosophies behind the art and how early apparatus and methods were employed by alchemists through the ages. Showing how women dominated early alchemy, Churton looks at the first known alchemist, the Jewess Maria the Prophetess, inventor of the bain marie, still in use worldwide today. He also looks at early alchemist Cleopatra (not the well-known Egyptian queen) and 3rd-4th century Egyptian female artisan Theosebeia, who had a guild of adepts working under her. He examines in depth the work of Zosimos of Panopolis and shows how Zosimos's historic work inspired the medieval view of alchemy as an initiatory path whose stages follow the transmutation of base metals into gold. Exploring the latest research on early practices in Upper Egypt, the author discusses the political and industrial realities facing the first alchemists. He examines the late antique "Stockholm" and "Leiden" papyri, which offer detailed knowledge of the first known Greco-Egyptian chemical recipes for gold and silver dyes for metal and stone, and purple dyes for wool. He emphasizes how changing color in early alchemy was misinterpreted to imply transmutation of one metal into another. He reveals how the alchemical secrets for working with the "living statues" of the Egyptian temples was jealously guarded by the priesthood and how secrecy helped to reinforce beliefs that alchemical knowledge came from forbidden, celestial sources. He also investigates the mysterious relation between alchemy, spiritual gnosis, Hermeticism, and the Book of Enoch. Revealing the hidden legacy of the early alchemists, Churton shows how their secret workings provided a transmission line for ancient heretical doctrines to survive into the Renaissance and beyond. N° de réf. du vendeur LU-9781644116838
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Paperback. Etat : new. Paperback. Explores the origins and practices of early alchemy Examines the oldest surviving alchemical texts, the original purpose of the Royal Art, and the first alchemists, showing how women dominated early alchemy Looks at the historical setting for the first alchemists, with detailed accounts of their apparatus, recipes, chemical processes, and the ingredients they used Reveals how changing the color of materials was more important in early alchemy than transmuting base metals into goldInvestigating the origins of alchemy and the legend of the Philosophers Stone, Tobias Churton explores the oldest surviving alchemical texts, the original purpose of the Royal Art, and the first alchemists themselves. Showing how women dominated early alchemy, Churton looks at the first known alchemist, the Jewess Maria the Prophetess, the early alchemist Cleopatra (not the well-known Egyptian queen), and 3rd4th century Egyptian female artisan Theosebeia, who had a guild of adepts working under her. He examines in depth the work of Zosimos of Panopolis, whose work inspired the medieval view of alchemy as an initiatory path for the transmutation of base metals into gold. The author also discusses the political and industrial realities facing the first alchemists. He examines the late antique Stockholm and Leiden papyri, which offer detailed knowledge of the first known Graeco-Egyptian chemical recipes for gold and silver dyes for metal and stone and purple dyes for wool. He reveals how the alchemical secrets for working with the living statues of the Egyptian temples was jealously guarded by the priesthood and how secrecy helped to reinforce beliefs that alchemical knowledge came from forbidden, celestial sources. He also investigates the mysterious relation between alchemy, spiritual gnosis, Hermeticism, and the Book of Enoch. Explores the origins and practices of early alchemy Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781644116838
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Paperback. Etat : New. Explores the origins and practices of early alchemy. Investigating the origins of alchemy and the legend of the Philosopher's Stone, Tobias Churton explores the oldest surviving alchemical texts, the original purpose of the "Royal Art," and the first alchemists themselves. He reveals the theories and philosophies behind the art and how early apparatus and methods were employed by alchemists through the ages. Showing how women dominated early alchemy, Churton looks at the first known alchemist, the Jewess Maria the Prophetess, inventor of the bain marie, still in use worldwide today. He also looks at early alchemist Cleopatra (not the well-known Egyptian queen) and 3rd-4th century Egyptian female artisan Theosebeia, who had a guild of adepts working under her. He examines in depth the work of Zosimos of Panopolis and shows how Zosimos's historic work inspired the medieval view of alchemy as an initiatory path whose stages follow the transmutation of base metals into gold. Exploring the latest research on early practices in Upper Egypt, the author discusses the political and industrial realities facing the first alchemists. He examines the late antique "Stockholm" and "Leiden" papyri, which offer detailed knowledge of the first known Greco-Egyptian chemical recipes for gold and silver dyes for metal and stone, and purple dyes for wool. He emphasizes how changing color in early alchemy was misinterpreted to imply transmutation of one metal into another. He reveals how the alchemical secrets for working with the "living statues" of the Egyptian temples was jealously guarded by the priesthood and how secrecy helped to reinforce beliefs that alchemical knowledge came from forbidden, celestial sources. He also investigates the mysterious relation between alchemy, spiritual gnosis, Hermeticism, and the Book of Enoch. Revealing the hidden legacy of the early alchemists, Churton shows how their secret workings provided a transmission line for ancient heretical doctrines to survive into the Renaissance and beyond. N° de réf. du vendeur LU-9781644116838
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