Diane Arbus Documents, 9781644230657
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Diane Arbus (1923-1971) is one of the most original and influential artists of the twentieth century. She studied photography with Berenice Abbott, Alexey Brodovitch, and Lisette Model and had her first published photographs appear in Esquire in 1960. In 1963 and 1966 she was awarded John Simon Guggenheim Fellowships and was one of three photographers whose work was the focus of New Documents, John Szarkowski's landmark exhibition at The Museum of Modern Art, New York, in 1967. Arbus's depictions of couples, children, female impersonators, nudists, New York City pedestrians, suburban families, circus performers, and celebrities, among others, span the breadth of the postwar American social sphere and constitute a diverse and singularly compelling portrait of humanity.
Max Rosenberg is an art historian and associate director of research and exhibitions at David Zwirner. He has worked on exhibitions on Josef Albers, Philip-Lorca diCorcia, William Eggleston, Paul Klee, Giorgio Morandi, Raymond Pettibon, and Christopher Williams, among others. He has received grants and awards from the Dedalus Foundation, the Fulbright Program, the German Academic Exchange Service (DAAD), and the Getty Research Institute, among other institutions. His writings have appeared in various publications, including The Getty Research Journal, Texte zur Kunst, and Art in America.
Lucas Zwirner is Head of Content at David Zwirner where he oversees all aspects of gallery publishing through books, web, film, and podcasts. In addition to spearheading the ekphrasis series, short texts on visual culture by artists and writers rarely available in English, and the award-winning podcast Dialogues, Lucas also helps lead select digital initiatives, including Platform, a standalone company founded in 2021. He is also a writer and translator, whose work has appeared in The Drift, The Paris Review, and An Elias Canetti Reader, edited by Josh Cohen and published by Farrar, Straus and Giroux. He is a graduate of Yale University where he studied Comparative Literature and Philosophy.
Since founding Fraenkel Gallery in San Francisco in 1979, Jeffrey Fraenkel has presented almost 400 exhibitions about photography and its interconnections to the other arts.
Known for her evocative portraits, Diane Arbus is a pivotal figure in American postwar photography. Undeniably striking, Arbus’s black-and-white photographs capture a unique gaze. Criticized as well as lauded for her photographs of people deemed “outsiders,” Arbus continues to attract a diversity of opinions surrounding her subjects and practice. Critics and writers have described her work as “sinister” and “appalling” as well as “revelatory,” “sincere,” and “compassionate.” In the absence of Arbus’s own voice, art criticism and cultural shifts have shaped the language attributed to her work.
Organized in eleven sections that focus on major exhibitions and significant events in Arbus’s life, as well as on her practice and her subjects, the seventy facsimiles of articles and essays––an archive by all accounts––trace the discourse on Diane Arbus, contextualizing her hugely successful oeuvre. Also with an annotated bibliography of more than six hundred entries and a comprehensive exhibition history, Documents serves as an important resource for photographers, researchers, art historians, and art critics, in addition to students of art criticism and the interested reader alike.
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Etat : good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail. N° de réf. du vendeur OTV.1644230658.G
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Hardcover. Etat : Near Fine. No Jacket. In a hardcover with a coloured spine with black titles and silver boards with red titles and a black and white photograph to front. 496 pp., extensivley illustrated in colour and black and white. The book is in near fine condition. There is a little light scuffing to the back board. The binding is tight and the pages clean and unmarked. The book weighs 2.1 kg., additionaol postage will be required. N° de réf. du vendeur 915656
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Vendeur : Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, Etats-Unis
Hardcover. Etat : Near Fine. First Edition. First edition. Foreword by Jeffrey Fraenkel and Lucas Zwirner. Editor's note by Max Rosenberg. Quarto. 495pp. Binding slightly cocked and spine base with one very gentle bump, very near fine. N° de réf. du vendeur 627589
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Vendeur : Argosy Book Store, ABAA, ILAB, New York, NY, Etats-Unis
hardcover. Etat : fine. ARBUS, Diane (illustrateur). Illustrated abundantly throughout. 496 pages, 69 texts in facsimile. 4to, silver metallic pictorial boards with exposed spine, as issued. New York: David Zwirner, (2022). Rear cover lightly scratched, else a fine copy. N° de réf. du vendeur 326127
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Vendeur : Argosy Book Store, ABAA, ILAB, New York, NY, Etats-Unis
hardcover. Etat : very good(+). Diane Arbus (illustrateur). Illustrated abundantly throughout. 496 pages, 69 texts in facsimile. 4to, silver metallic pictorial boards with exposed spine, as issued. New York: David Zwirner, (2022). Covers scuffed but still a very good(+) copy, internally fine. N° de réf. du vendeur 330364
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