Diane Arbus Documents /anglais - Couverture rigide

Arbus, Diane/rosenber

 
9781644230657: Diane Arbus Documents /anglais

Synopsis

Diane Arbus Documents, 9781644230657

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À propos des auteurs

Diane Arbus (1923-1971) is one of the most original and influential artists of the twentieth century. She studied photography with Berenice Abbott, Alexey Brodovitch, and Lisette Model and had her first published photographs appear in Esquire in 1960. In 1963 and 1966 she was awarded John Simon Guggenheim Fellowships and was one of three photographers whose work was the focus of New Documents, John Szarkowski's landmark exhibition at The Museum of Modern Art, New York, in 1967. Arbus's depictions of couples, children, female impersonators, nudists, New York City pedestrians, suburban families, circus performers, and celebrities, among others, span the breadth of the postwar American social sphere and constitute a diverse and singularly compelling portrait of humanity.

Max Rosenberg is an art historian and associate director of research and exhibitions at David Zwirner. He has worked on exhibitions on Josef Albers, Philip-Lorca diCorcia, William Eggleston, Paul Klee, Giorgio Morandi, Raymond Pettibon, and Christopher Williams, among others. He has received grants and awards from the Dedalus Foundation, the Fulbright Program, the German Academic Exchange Service (DAAD), and the Getty Research Institute, among other institutions. His writings have appeared in various publications, including The Getty Research Journal, Texte zur Kunst, and Art in America.

Lucas Zwirner is Head of Content at David Zwirner where he oversees all aspects of gallery publishing through books, web, film, and podcasts. In addition to spearheading the ekphrasis series, short texts on visual culture by artists and writers rarely available in English, and the award-winning podcast Dialogues, Lucas also helps lead select digital initiatives, including Platform, a standalone company founded in 2021. He is also a writer and translator, whose work has appeared in The Drift, The Paris Review, and An Elias Canetti Reader, edited by Josh Cohen and published by Farrar, Straus and Giroux. He is a graduate of Yale University where he studied Comparative Literature and Philosophy.

Since founding Fraenkel Gallery in San Francisco in 1979, Jeffrey Fraenkel has presented almost 400 exhibitions about photography and its interconnections to the other arts.

À propos de la quatrième de couverture

Known for her evocative portraits, Diane Arbus is a pivotal figure in American postwar photography. Undeniably striking, Arbus’s black-and-white photographs capture a unique gaze. Criticized as well as lauded for her photographs of people deemed “outsiders,” Arbus continues to attract a diversity of opinions surrounding her subjects and practice. Critics and writers have described her work as “sinister” and “appalling” as well as “revelatory,” “sincere,” and “compassionate.” In the absence of Arbus’s own v

Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.