"The Real Thing" is a short story by Henry James, first syndicated by S. S. McClure in multiple American newspapers and then published in the British publication Black and White in April 1892 and the following year as the title story in the collection, The Real Thing and Other Stories published by Macmillan. This story, often read as a parable, plays with the reality-illusion dichotomy that fascinated James, especially in the later stages of his career. For the illustrator who narrates the story, the genuine article proves all too useless for his commercial purposes. The story portrays the unfortunate victims of a society in which reality and representation are closely intertwined in ways that make art a diffit project to disentangle the two.
The narrator, an unnamed illustrator and aspiring painter, hires a faded genteel couple, the Monarchs, as models, after they have lost most of their money and must find some line of work. They are the "real thing" in that they perfectly represent the aristocratic type, but they prove inflexible for the painter's work. He comes to rely much more on two lower-class subjects who are nevertheless more capable: Oronte, an Italian, and Miss Churm, a lower-class Englishwoman.
The Reverberator is a short novel by Henry James, first published as a serial in Macmillan's Magazine in 1888 and then as a book later the same year. Described by the leading web authority on Henry James as "a delightful Parisian bonbon," the comedy traces the complications that result when nasty but true stories about a Paris family get into the American scandal sheet of the novel's title.
George Flack is the Paris correspondent for an American scandal sheet called The Reverberator. Francie Dosson, a pretty but not always tactful American girl, confides to Flack some gossip about the Proberts, the Frenchified (but originally American) family of her fiancé, Gaston Probert.
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