Despite Disney's carefully crafted image of family friendliness, Gothic elements are pervasive in all of Disney's productions, ranging from its theme parks to its films and television programs. The contributors to Disney Gothic reveal that the Gothic, in fact, serves as the unacknowledged motor of the Disney machine. Exploring representations of villains, ghosts, and monsters, this book sheds important new light on the role these Gothic elements play throughout the Disney universe in constructing and reinforcing conceptions of normalcy and deviance in relation to shifting understandings of morality, social roles, and identity categories. In doing so, this book raises fascinating questions about the appeal, marketing, and consumption of Gothic horror by adults and particularly by children, who historically have been Disney's primary audience.
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Lorna Piatti-Farnell is Academic Dean at SAE Creative Media Institute in Auckland, New Zealand.
Jeffrey Andrew Weinstock is professor of English at Central Michigan University and associate editor in charge of horror for the Los Angeles Review of Books.
Antonio Sanna is teaching assistant at the University of Sassari.
Christy Tidwell is associate professor of English and humanities at the South Dakota School of Mines & Technology.
Simon Bacon is an independent scholar, author, and film critic based in Poznan, Poland.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardback. Etat : New. Despite Disney's carefully crafted image of family friendliness, Gothic elements are pervasive in all of Disney's productions, ranging from its theme parks to its films and television programs. The contributors to Disney Gothic reveal that the Gothic, in fact, serves as the unacknowledged motor of the Disney machine. Exploring representations of villains, ghosts, and monsters, this book sheds important new light on the role these Gothic elements play throughout the Disney universe in constructing and reinforcing conceptions of normalcy and deviance in relation to shifting understandings of morality, social roles, and identity categories. In doing so, this book raises fascinating questions about the appeal, marketing, and consumption of Gothic horror by adults and particularly by children, who historically have been Disney's primary audience. N° de réf. du vendeur LU-9781666907209
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