This book of empirical studies analyzes examples of televisual shared universes since the 1960s to understand how the nature of televised serial narratives and network corporate policies have long created shared storyworlds. While there has been much discussion about shared cinematic universes and comic book universes, the concept has had limited exploration in other media, such as those seen on the smaller screen. By applying convergence culture and other contemporary media studies concepts to television's history, contributors demonstrate the common activities and practices in serial narratives that align older television with contemporary television, simultaneously bridging the gap between old media and new media studies. Scholars of film studies, media studies, and popular culture will find this book of particular interest.
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CarrieLynn D. Reinhard is professor at Dominican University.
Vincent Tran is a PhD candidate at Swinburne University of Technology.
David Beard is Editor-in-Chief of Endless Summer Quarterly, The Beach Boys publication of record and the group's sole officially endorsed magazine. In addition to his 30+ years of researching The Beach Boys, Jan & Dean, and the music culture in the pages of ESQ, Beard compiled and edited The Beach Boys' official tour programs and a VIP hardcover coffee table book in 2015 and 2016. In 2021, he was responsible for organizing and, along with Rob Bonfiglio, co-producing the reunion recording "Add Some Music to Your Day," which featured Mike Love, Al Jardine, Bruce Johnston, David Marks, and the founding member's children under the name California Music.
Christopher J. Olson has written movie reviews and other film-related articles for a several websites including ClearanceBinReview.com, TheShiznit.co.uk, Creature-Corner.com, and CHUD.com. He is coauthor of Possessed Women, Haunted States: Cultural Tensions in Exorcism Cinema (2016).
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardback. Etat : New. This book of empirical studies analyzes examples of televisual shared universes since the 1960s to understand how the nature of televised serial narratives and network corporate policies have long created shared storyworlds. While there has been much discussion about shared cinematic universes and comic book universes, the concept has had limited exploration in other media, such as those seen on the smaller screen. By applying convergence culture and other contemporary media studies concepts to television's history, contributors demonstrate the common activities and practices in serial narratives that align older television with contemporary television, simultaneously bridging the gap between old media and new media studies. Scholars of film studies, media studies, and popular culture will find this book of particular interest. N° de réf. du vendeur LU-9781666915617
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Hardcover. Etat : new. Hardcover. This book of empirical studies analyzes examples of televisual shared universes since the 1960s to understand how the nature of televised serial narratives and network corporate policies have long created shared storyworlds. While there has been much discussion about shared cinematic universes and comic book universes, the concept has had limited exploration in other media, such as those seen on the smaller screen. By applying convergence culture and other contemporary media studies concepts to televisions history, contributors demonstrate the common activities and practices in serial narratives that align older television with contemporary television, simultaneously bridging the gap between old media and new media studies. Scholars of film studies, media studies, and popular culture will find this book of particular interest. This book presents a variety of televisual shared universes to open up discussion and critically engage with the extensive storyworlds possible in the medium. Scholars of film studies, media studies, and popular culture will find this book of particular interest. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781666915617
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Hardcover. Etat : new. Hardcover. This book of empirical studies analyzes examples of televisual shared universes since the 1960s to understand how the nature of televised serial narratives and network corporate policies have long created shared storyworlds. While there has been much discussion about shared cinematic universes and comic book universes, the concept has had limited exploration in other media, such as those seen on the smaller screen. By applying convergence culture and other contemporary media studies concepts to televisions history, contributors demonstrate the common activities and practices in serial narratives that align older television with contemporary television, simultaneously bridging the gap between old media and new media studies. Scholars of film studies, media studies, and popular culture will find this book of particular interest. This book presents a variety of televisual shared universes to open up discussion and critically engage with the extensive storyworlds possible in the medium. Scholars of film studies, media studies, and popular culture will find this book of particular interest. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9781666915617
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Buch. Etat : Neu. Televisual Shared Universes | Expanded and Converged Storyworlds on the Small Screen | Carrielynn D. Reinhard (u. a.) | Buch | Englisch | 2023 | Lexington Books | EAN 9781666915617 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand. N° de réf. du vendeur 127347799
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Hardback. Etat : New. This book of empirical studies analyzes examples of televisual shared universes since the 1960s to understand how the nature of televised serial narratives and network corporate policies have long created shared storyworlds. While there has been much discussion about shared cinematic universes and comic book universes, the concept has had limited exploration in other media, such as those seen on the smaller screen. By applying convergence culture and other contemporary media studies concepts to television's history, contributors demonstrate the common activities and practices in serial narratives that align older television with contemporary television, simultaneously bridging the gap between old media and new media studies. Scholars of film studies, media studies, and popular culture will find this book of particular interest. N° de réf. du vendeur LU-9781666915617
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