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Classical Vertigo: Mythic Shapes and Contemporary Influences in Hitchcock’s Film - Couverture rigide
Synopsis
Alfred Hitchcock's Vertigo has dazzled and challenged audiences with its unique aesthetic design and startling plot devices since its release in 1958. In Classical Vertigo: Mythic Shapes and Contemporary Influences in Hitchcock's Film, Mark William Padilla analyzes antecedents including: (1) the film's source novel, D'entre les morts (Among the Dead), (2) the earlier symbolist novel, Rodenbach's Bruges-la-morte, and (3) the first-draft screenplay of Maxwell Anderson, a prominent Broadway dramatist and Hollywood scenarist from the 1920s to the 1950s. The presence of Vertigo amid these texts reveals and clarifies how themes from Greco-Roman antiquity emerge in Hitchcock's project. Padilla analyzes narrative figures such as Prometheus and Pandora, Persephone and Hades, and Pygmalion and Galatea, as well as themes like the dark plots of Greek tragedy, to reveal how Hitchcock used allusive form to construct an emotionally powerful experience with an often-minimalist script. This analysis demonstrates that Vertigo is a multifaceted work of intertextuality with artistic and cultural roots extending into antiquity itself.
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À propos de l'auteur
Mark William Padilla serves as distinguished professor of classical studies at Christopher Newport University.
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Classical Vertigo
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Bloomsbury Publishing (UK), 2024
ISBN 10 : 1666915912
ISBN 13 : 9781666915914
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Classical Vertigo : Mythic Shapes and Contemporary Influences in Hitchcock?s Film
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Classical Vertigo
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Bloomsbury Publishing (UK), 2024
ISBN 10 : 1666915912
ISBN 13 : 9781666915914
Neuf
Couverture rigide
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Classical Vertigo : Mythic Shapes and Contemporary Influences in Hitchcock?s Film
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ISBN 13 : 9781666915914
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Classical Vertigo : Mythic Shapes and Contemporary Influences in Hitchcock?s Film
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Classical Vertigo: Mythic Shapes and Contemporary Influences in Hitchcock's Film
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Classical Vertigo : Mythic Shapes and Contemporary Influences in Hitchcock?s Film
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Lexington Books, 2024
ISBN 10 : 1666915912
ISBN 13 : 9781666915914
Ancien ou d'occasion
Couverture rigide
Vendeur : GreatBookPricesUK, Woodford Green, Royaume-Uni
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Classical Vertigo (Hardcover)
Edité par
Bloomsbury Publishing Plc, 2024
ISBN 10 : 1666915912
ISBN 13 : 9781666915914
Neuf
Couverture rigide
Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-Unis
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Hardcover. Etat : new. Hardcover. Alfred Hitchcocks Vertigo has dazzled and challenged audiences with its unique aesthetic design and startling plot devices since its release in 1958. In Classical Vertigo: Mythic Shapes and Contemporary Influences in Hitchcocks Film, Mark William Padilla analyzes antecedents including: (1) the films source novel, Dentre les morts (Among the Dead), (2) the earlier symbolist novel, Rodenbachs Bruges-la-morte, and (3) the first-draft screenplay of Maxwell Anderson, a prominent Broadway dramatist and Hollywood scenarist from the 1920s to the 1950s. The presence of Vertigo amid these texts reveals and clarifies how themes from Greco-Roman antiquity emerge in Hitchcocks project. Padilla analyzes narrative figures such as Prometheus and Pandora, Persephone and Hades, and Pygmalion and Galatea, as well as themes like the dark plots of Greek tragedy, to reveal how Hitchcock used allusive form to construct an emotionally powerful experience with an often-minimalist script. This analysis demonstrates that Vertigo is a multifaceted work of intertextuality with artistic and cultural roots extending into antiquity itself. In Classical Vertigo, Padilla analyzes narrative figures and themes of classical mythology within Hitchocks Vertigo to demonstrate that the film is a multifaceted work of intertextuality with artistic and cultural roots extending into antiquity itself. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781666915914
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Classical Vertigo
Edité par
Bloomsbury Publishing Plc, US, 2024
ISBN 10 : 1666915912
ISBN 13 : 9781666915914
Neuf
Couverture rigide
Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Évaluation du vendeur 5 sur 5 étoiles
Hardback. Etat : New. Alfred Hitchcock's Vertigo has dazzled and challenged audiences with its unique aesthetic design and startling plot devices since its release in 1958. In Classical Vertigo: Mythic Shapes and Contemporary Influences in Hitchcock's Film, Mark William Padilla analyzes antecedents including: (1) the film's source novel, D'entre les morts (Among the Dead), (2) the earlier symbolist novel, Rodenbach's Bruges-la-morte, and (3) the first-draft screenplay of Maxwell Anderson, a prominent Broadway dramatist and Hollywood scenarist from the 1920s to the 1950s. The presence of Vertigo amid these texts reveals and clarifies how themes from Greco-Roman antiquity emerge in Hitchcock's project. Padilla analyzes narrative figures such as Prometheus and Pandora, Persephone and Hades, and Pygmalion and Galatea, as well as themes like the dark plots of Greek tragedy, to reveal how Hitchcock used allusive form to construct an emotionally powerful experience with an often-minimalist script. This analysis demonstrates that Vertigo is a multifaceted work of intertextuality with artistic and cultural roots extending into antiquity itself. N° de réf. du vendeur LU-9781666915914
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Classical Vertigo (Hardcover)
Edité par
Bloomsbury Publishing Plc, 2024
ISBN 10 : 1666915912
ISBN 13 : 9781666915914
Neuf
Couverture rigide
Vendeur : CitiRetail, Stevenage, Royaume-Uni
Évaluation du vendeur 5 sur 5 étoiles
Hardcover. Etat : new. Hardcover. Alfred Hitchcocks Vertigo has dazzled and challenged audiences with its unique aesthetic design and startling plot devices since its release in 1958. In Classical Vertigo: Mythic Shapes and Contemporary Influences in Hitchcocks Film, Mark William Padilla analyzes antecedents including: (1) the films source novel, Dentre les morts (Among the Dead), (2) the earlier symbolist novel, Rodenbachs Bruges-la-morte, and (3) the first-draft screenplay of Maxwell Anderson, a prominent Broadway dramatist and Hollywood scenarist from the 1920s to the 1950s. The presence of Vertigo amid these texts reveals and clarifies how themes from Greco-Roman antiquity emerge in Hitchcocks project. Padilla analyzes narrative figures such as Prometheus and Pandora, Persephone and Hades, and Pygmalion and Galatea, as well as themes like the dark plots of Greek tragedy, to reveal how Hitchcock used allusive form to construct an emotionally powerful experience with an often-minimalist script. This analysis demonstrates that Vertigo is a multifaceted work of intertextuality with artistic and cultural roots extending into antiquity itself. In Classical Vertigo, Padilla analyzes narrative figures and themes of classical mythology within Hitchocks Vertigo to demonstrate that the film is a multifaceted work of intertextuality with artistic and cultural roots extending into antiquity itself. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9781666915914
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