Blunt, irreverent, and at times delightfully subversive, Opera Wars spotlights opera’s colorful and sometimes warring personalities, increasingly fierce controversies over content, and the battles being waged for its economic future—a “colorful, witty look behind the velvet curtain” (Renée Fleming).
Drawing on interviews with dozens of opera insiders—as well as her own experience as an award-winning librettist, trained vocalist, opera company director, and arts commentator—Caitlin Vincent “gives us the insider’s backstage view” (Financial Times), deftly unraveling clichés and presumptions. She exposes such debates as how much fidelity is owed to long-dead opera composers whose plots often stir racial and gender sensitivities, whether there’s any cure for typecasting that leaves talented performers out of work and other performers chained to the same roles, and what explains the bizarre kowtowing of opera companies to the demands of traditionalist patrons.
Vincent never shrinks from depicting the industry’s top-to-bottom messiness and its stubborn resistance to change. Yet, like a lover who can’t quite break away, she always comes back to her veneration for the artform, and in these pages—"suitable for young operaphiles-in-training and budding sopranos alike” (The Wall Street Journal)—she stirringly evokes those moments on stage that can be counted on to make ardent fans of the most skeptical.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Caitlin Vincent is an award-winning librettist, trained vocalist, opera company director, and arts commentator. Her librettos have won all three of America’s top opera prizes and her vocal work is featured on the Grammy Award–nominated album 40@40. Vincent was the artistic director of The Figaro Project from 2009 to 2014. She writes frequently on the arts for such outlets as The Conversation and Limelight, and her perspective on opera has been featured in The New York Times. She holds a PhD from Deakin University (Australia), an MM from Peabody Conservatory at Johns Hopkins, and a BA from Harvard. She was born in the US but currently makes her home in Melbourne, Australia.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : BookOutlet, Jefferson City, TN, Etats-Unis
Hardcover. Etat : New. Hardcover. Publisher overstock, may contain remainder mark on edge. N° de réf. du vendeur 9781668084069B
Quantité disponible : 15 disponible(s)
Vendeur : HPB-Ruby, Dallas, TX, Etats-Unis
hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! N° de réf. du vendeur S_478979661
Quantité disponible : 1 disponible(s)
Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : New. N° de réf. du vendeur 51721689-n
Quantité disponible : Plus de 20 disponibles
Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Hardback. Etat : New. Blunt, irreverent, and at times wittily subversive, Opera Wars spotlights opera's colorful and sometimes warring personalities, increasingly fierce controversies over content, and the battles being waged for its economic future.Drawing on interviews with dozens of opera insiders-as well as her own experience as an award-winning librettist, trained vocalist, opera company director, and arts commentator-Caitlin Vincent deftly unravels clichés and presumptions, exposing such debates as how much fidelity is owed to long-dead opera composers whose plots often stir racial and gender sensitivities, whether there's any cure for typecasting that leaves talented performers out of work and other performers chained to the same roles, and what explains the bizarre kowtowing of opera companies to the demands of traditionalist patrons. Vincent never shrinks from depicting the industry's top-to-bottom messiness and its stubborn resistance to change. Yet, like a lover who can't quite break away, she always comes back to her veneration for the artform and in these pages stirringly evokes those moments on stage that can be counted on to make ardent fans of the most skeptical. N° de réf. du vendeur LU-9781668084069
Quantité disponible : Plus de 20 disponibles
Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : As New. Unread book in perfect condition. N° de réf. du vendeur 51721689
Quantité disponible : Plus de 20 disponibles
Vendeur : INDOO, Avenel, NJ, Etats-Unis
Etat : As New. Unread copy in mint condition. N° de réf. du vendeur SS9781668084069
Quantité disponible : Plus de 20 disponibles
Vendeur : INDOO, Avenel, NJ, Etats-Unis
Etat : New. Brand New. N° de réf. du vendeur 9781668084069
Quantité disponible : Plus de 20 disponibles
Vendeur : BargainBookStores, Grand Rapids, MI, Etats-Unis
Hardback or Cased Book. Etat : New. Opera Wars: Inside the World of Opera and the Battles for Its Future. Book. N° de réf. du vendeur BBS-9781668084069
Quantité disponible : 5 disponible(s)
Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur FS-9781668084069
Quantité disponible : 15 disponible(s)
Vendeur : California Books, Miami, FL, Etats-Unis
Etat : New. N° de réf. du vendeur I-9781668084069
Quantité disponible : Plus de 20 disponibles