This beautifully illustrated volume details how South Asian art has been acquired by public and private collectors in Europe, North America, and Singapore from the mid-nineteenth century onward. It traces the various journeys and colonial legacies of artwork from Bangladesh, Bhutan, India, Nepal, Pakistan, and Sri Lanka. Contributors explore the removal of art objects from their countries of origin for external appreciation. They discuss British collecting practices during colonial rule in South Asia, when military officials and individuals associated with the East India Company transported various pieces to the Tower of London, the British Museum, and the Royal Ontario Museum. An overview of Newark Museum's unique history of acquiring art originating in South Asia--comprising over 3,000 objects--is provided, followed by insight into the birth of postcolonial exhibitions during a cultural renaissance in Singapore. The authors also tell the stories of private collectors including Alfred Chester Beatty, who bequeathed his entire library of miniature paintings and rare manuscripts to the people of Ireland; Ananda Coomaraswamy, who played an integral role in introducing Indian art to the West; Hugh Nevill, who compiled over 2,000 manuscripts in Sri Lanka; and Nasli Heeramaneck, who became one of the world's leading dealers in Asian arts and antiques. The essays in this volume also address the ethical and political dilemmas of displaying South Asian art for Western appreciation. They highlight calls for the return of cultural property to their original sites and explain that repatriated works are often used as centerpieces of political exhibitionism rather than celebrated as recovered symbols of national heritage. Featuring archival materials and high-quality images of key pieces, Arts of South Asia offers an inside look at early collecting practices while addressing contemporary concerns about how artwork obtained under colonial rule is displayed abroad. Contributors: Allysa B. Peyton Katherine Anne Paul Hyder Abbas Natasha Bennett Deepali Dewan Sushma Jansari Gauri Parimoo Krishnan Brinda Kumar Dr. Pratapaditya Pal Melody Rod-ari Jason Steuber A volume in the David A. Cofrin Asian Art Manuscript Series
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Allysa B. Peyton is assistant curator of Asian art at the Samuel P. Harn Museum of Art at the University of Florida.
Katherine Anne Paul is curator of the arts of Asia at the Newark Museum.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardcover. Etat : new. Hardcover. This beautifully illustrated volume details how South Asian art has been acquired by public and private collectors in Europe and North America from the mid-nineteenth century onward. It highlights the various journeys and colonial legacies of artwork from Bangladesh, Bhutan, India, Nepal, Pakistan, and Sri Lanka.Contributors explore British collecting practices during colonial rule in South Asia, when military officials and individuals associated with the East India Company transported various pieces to the Tower of London, the British Museum, and the Royal Ontario Museum. The authors tell the stories of private collectors including Chester Beatty, who bequeathed his entire library of miniature paintings and rare manuscripts to the people of Ireland; Ananda Coomaraswamy, who played an integral role in introducing Indian art to the West; and Nasli Heeramaneck, who became one of the worlds leading dealers in Asian arts and antiques. The essays in this volume also address the ethical and political dilemmas of displaying South Asian art for Western appreciation, and how repatriated works are often used as centerpieces of political exhibitionism rather than celebrated as recovered symbols of cultural heritage. Featuring archival materials and high-quality images of key pieces, Arts of South Asia offers an inside look at early collecting practices while addressing contemporary concerns about how artwork obtained under colonial rule should be displayed abroad.A volume in the David A. Cofrin Asian Art Manuscript Series This beautifully illustrated volume details how South Asian art has been acquired by public and private collectors in Europe and North America from the mid-nineteenth century onward. It highlights the various journeys and colonial legacies of artwork from Bangladesh, Bhutan, India, Nepal, Pakistan, and Sri Lanka. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781683400479
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