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Synopsis
Rethinking the role of the artist and recovering
the work of unacknowledged creators in colonial society
volume addresses and expands the role of the artist in colonial Latin American
society, featuring essays by specialists in the field that consider the ways
society conceived of artists and the ways artists defined themselves. Broadening
the range of ways that creativity can be understood, contributors show that
artists functioned as political figures, activists, agents in commerce,
definers of a canon, and revolutionaries. Chapters
provide studies of artists in Peru, Mexico, and Cuba between the
sixteenth and early nineteenth centuries. Instead of adopting the paradigm of individuals
working alone to chart new artistic paths, contributors focus on human
relationships, collaborations, and exchanges. The volume offers new
perspectives on colonial artworks, some well known and others previously
overlooked, including discussions of manuscript painting, featherwork, oil
painting, sculpture, and mural painting. Most
notably, the volume examines attitudes and policies related to race and
ethnicity, exploring various ethnoracial dynamics of artists within their
social contexts. Through
a decolonial lens not often used in the art history of the era and region,
Collective Creativity and Artistic Agency in Colonial
Latin America
examines artists' engagement in society and their impact within it.
Contributors: Derek S. Burdette Ananda
Cohen-Aponte Emily C. Floyd Aaron M. Hyman Barbara E. Mundy Linda Marie
Rodriguez Jennifer R. Saracino Maya Stanfield-Mazzi Margarita Vargas-Betancourt
Publication of this work made possible
by a Sustaining the Humanities through the American Rescue Plan grant from the
National Endowment for the Humanities.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
À propos des auteurs
Maya Stanfield-Mazzi, professor of art history at the University of
Florida, is the author of Clothing the
New World Church: Liturgical Textiles of Spanish America, 1520‒1820.
Margarita Vargas-Betancourt is the Latin American and Caribbean
Special Collections Librarian at the University of Florida.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : New. Rethinking the role of the artist and recovering the work of unacknowledged creators in colonial societyThis volume addresses and expands the role of the artist in colonial Latin American society, featuring essays by specialists in the field that consider the ways society conceived of artists and the ways artists defined themselves. Broadening the range of ways that creativity can be understood, contributors show that artists functioned as political figures, activists, agents in commerce, definers of a canon, and revolutionaries.Chapters provide studies of artists in Peru, Mexico, and Cuba between the sixteenth and early nineteenth centuries. Instead of adopting the paradigm of individuals working alone to chart new artistic paths, contributors focus on human relationships, collaborations, and exchanges. The volume offers new perspectives on colonial artworks, some well known and others previously overlooked, including discussions of manuscript painting, featherwork, oil painting, sculpture, and mural painting.Most notably, the volume examines attitudes and policies related to race and ethnicity, exploring various ethnoracial dynamics of artists within their social contexts. Through a decolonial lens not often used in the art history of the era and region,Collective Creativity and Artistic Agency in Colonial Latin America examines artists' engagement in society and their impact within it.Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities. N° de réf. du vendeur LU-9781683403661
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Paperback. Etat : new. Paperback. Rethinking the role of the artist and recovering the work of unacknowledged creators in colonial societyThis volume addresses and expands the role of the artist in colonial Latin American society, featuring essays by specialists in the field that consider the ways society conceived of artists and the ways artists defined themselves. Broadening the range of ways that creativity can be understood, contributors show that artists functioned as political figures, activists, agents in commerce, definers of a canon, and revolutionaries.Chapters provide studies of artists in Peru, Mexico, and Cuba between the sixteenth and early nineteenth centuries. Instead of adopting the paradigm of individuals working alone to chart new artistic paths, contributors focus on human relationships, collaborations, and exchanges. The volume offers new perspectives on colonial artworks, some well known and others previously overlooked, including discussions of manuscript painting, featherwork, oil painting, sculpture, and mural painting.Most notably, the volume examines attitudes and policies related to race and ethnicity, exploring various ethnoracial dynamics of artists within their social contexts. Through a decolonial lens not often used in the art history of the era and region,Collective Creativity and Artistic Agency in Colonial Latin America examines artists engagement in society and their impact within it.Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities. Addresses and expands the role of the artist in colonial Latin American society. Broadening the range of ways that creativity can be understood, contributors show that artists functioned as political figures, activists, agents in commerce, definers of a canon, and revolutionaries. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781683403661
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ISBN 13 : 9781683403661
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