David Fincher's Zodiac (2007), written by producer James Vanderbilt and adapted from the true crime works of Robert Graysmith, remains one of the most respected films of the early twenty-first century. As the second film featuring a serial killer (and the first based on fact) by Fincher, Zodiac remains a standout in a varied but stylistically unified career. While connected to this genre, the film also hybridizes the policier genre and the investigative reporter film. And yet, scholarship has largely ignored the film.
This collection is the first book-length work of criticism dedicated to the film. Section One focuses on early influences, while the second section analyzes the film's unique treatment of narrative. The book closes with a section focusing on game theory, data and hegemony, the Zodiac's treatment in music, and the use of sound in cinema. By offering new avenues and continuing a few established ones, this book will interest scholars of cinema and true crime along with fans and enthusiasts in these areas.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Matthew Sorrento teaches film studies at Rutgers University-Camden.
David Ryan is academic director and faculty chair of the Master of Arts of Professional Communication program at the University of San Francisco.
Christopher Sharrett is Professor of Communication at Seton Hall University. His work has appeared in Cineaste, Kino Eye, Journal of Popular Film and Television, Film Quarterly, Persistence of Vision, and numerous anthologies.
Andrew M. Winters is professor of philosophy and Chair of Humanities at Yavapai College.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardback. Etat : New. David Fincher's Zodiac (2007), written by producer James Vanderbilt and adapted from the true crime works of Robert Graysmith, remains one of the most respected films of the early twenty-first century. As the second film featuring a serial killer (and the first based on fact) by Fincher, Zodiac remains a standout in a varied but stylistically unified career. While connected to this genre, the film also hybridizes the policier genre and the investigative reporter film. And yet, scholarship has largely ignored the film.This collection is the first book-length work of criticism dedicated to the film. Section One focuses on early influences, while the second section analyzes the film's unique treatment of narrative. The book closes with a section focusing on game theory, data and hegemony, the Zodiac's treatment in music, and the use of sound in cinema. By offering new avenues and continuing a few established ones, this book will interest scholars of cinema and true crime along with fans and enthusiasts in these areas. N° de réf. du vendeur LU-9781683933267
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Gebunden. Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. David Fincher s Zodiac, the first book-length study of the critically acclaimed 2007 release, offers various critical approaches to the film ranging from early influences, studies in genre and narrative, and media analysis including cinema history, game the. N° de réf. du vendeur 498365519
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