Best known for the sleek, sophisticated novels he wrote in the 1970s and ’80s, W. M. Spackman was also a literary critic of formidable power and slashing wit. Gathered here are all the essays and reviews he published, including those that appeared in his 1967 book of essays On the Decay of Humanism. Ranging from ancient Greek and Latin literature to the latest poetry and novels, these brilliant essays argue that a work of literature should be evaluated on its artistry and craftsmanship, not on its content or ideas. Spackman quotes, with approval, Nabokov’s belief that, “Style and structure are the essence of a book; great ideas are a lot of hogwash,” and insists “aesthetic assessments… must come before everything else.” On those grounds, he finds such celebrated masters as Leo Tolstoy and Henry James inferior to lesser-known artists like Henry Green and Ivy Compton-Burnett. His iconoclastic views are supported with close technical analyses, but in a relaxed style that delights as it instructs
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W. M. Spackman was a literary critic with degrees from both Princeton and Oxford. He wrote six novels, earning him an award from the American Academy and Institute of Arts and Letters in 1984. Born in 1905, his career was completed in 1997 with the publication of his complete fiction, seven years after his death.
Steven Moore, who edited Spackman's Complete Fiction, is the author of The Novel, An Alternative History and, most recently, My Back Pages: Reviews and Essays.
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Hardcover. Etat : new. Hardcover. Best known for the sleek, sophisticated novels he wrote in the 1970s and '80s, W. M. Spackman was also a literary critic of formidable power and slashing wit. Gathered here are all the essays and reviews he published, including those that appeared in his 1967 book of essays On the Decay of Humanism. Ranging from ancient Greek and Latin literature to the latest poetry and novels, these brilliant essays argue that a work of literature should be evaluated on its artistry and craftsmanship, not on its content or ideas. Spackman quotes, with approval, Nabokov's belief that, "Style and structure are the essence of a book; great ideas are a lot of hogwash," and insists "aesthetic assessments must come before everything else." On those grounds, he finds such celebrated masters as Leo Tolstoy and Henry James inferior to lesser-known artists like Henry Green and Ivy Compton-Burnett. His iconoclastic views are supported with close technical analyses, but in a relaxed style that delights as it instructs. Timeless essays on the literary art by a master novelist Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781683960225
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