Winner of the 2021 Best International Book Award from the Mormon History Association
In the late nineteenth century, numerous French plays, novels, cartoons, and works of art focused on Mormons. Unlike American authors who portrayed Mormons as malevolent "others," however, French dramatists used Mormonism to point out hypocrisy in their own culture. Aren't Mormon women, because of their numbers in a household, more liberated than French women who can't divorce? What is polygamy but another name for multiple mistresses? This new critical edition presents translations of four musical comedies staged or published in France in the late 1800s: Mormons in Paris (1874), Berthelier Meets the Mormons (1875), Japheth's Twelve Wives (1890), and Stephana's Jewel (1892). Each is accompanied by a short contextualizing introduction with details about the music, playwrights, and staging. Humorous and largely unknown, these plays use Mormonism to explore and mock changing French mentalities during the Third Republic, lampooning shifting attitudes and evolving laws about marriage, divorce, and gender roles. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
CORRY CROPPER is a professor of French at Brigham Young University in Provo, Utah. His book Playing at Monarchy: Sport as Metaphor in Nineteenth-Century France examines French literary representations of sports and games. He has also published on nineteenth-century Fantastic literature, and on cycling, gambling, and poaching in French fiction.
CHRISTOPHER M. FLOOD is an assistant professor of French at Brigham Young University in Provo, Utah. His research focuses on the unique insights offered by comedies and satires into the contexts that produced them. He has previously published on medieval and early modern political and religious satires.Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Buch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Winner of the 2021 Best International Book Award from the Mormon History Association In the late nineteenth century, numerous French plays, novels, cartoons, and works of art focused on Mormons. Unlike American authors who portrayed Mormons as malevolent 'others,' however, French dramatists used Mormonism to point out hypocrisy in their own culture. Aren't Mormon women, because of their numbers in a household, more liberated than French women who can't divorce What is polygamy but another name for multiple mistresses This new critical edition presents translations of four musical comedies staged or published in France in the late 1800s: Mormons in Paris (1874), Berthelier Meets the Mormons (1875), Japheth's Twelve Wives (1890), and Stephana's Jewel (1892). Each is accompanied by a short contextualizing introduction with details about the music, playwrights, and staging. Humorous and largely unknown, these plays use Mormonism to explore and mock changing French mentalities during the Third Republic, lampooning shifting attitudes and evolving laws about marriage, divorce, and gender roles. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press. 428 pp. Englisch. N° de réf. du vendeur 9781684482375
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Etat : Sehr gut. Zustand: Sehr gut | Seiten: 428 | Sprache: Englisch | Produktart: Bücher | These are the first English translations of four popular French musical comedies about Mormons: Mormons in Paris (1874), Berthelier Meets the Mormons (1875), Japheth’s Twelve Wives (1890), and Stephana’s Jewel (1892). The book’s introduction and notes contextualize the plays, examining how Mormons were depicted by French playwrights, and connecting France’s shifting social landscape to representations of this new and controversial American religion. N° de réf. du vendeur 36084083/2
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