In the wake of the recent hit biopic A Complete Unknown, this probing appreciation asks: Do the lyrics of Bob Dylan tell the true story of the ever-changing, ever-radical life and career of the Nobel Prize-winning songwriter?
In a dingy windowless bungalow on the Warner Brothers back lot in Hollywood in 1977, in the midst of what may have been the longest interview he ever gave (it stretched over ten days), a chain-smoking Bob Dylan confessed to journalist Ron Rosenbaum that he was troubled by something missing from his music. Dylan — who was editing a dramatic movie based on his life, even as his life seemed to be falling apart — told Rosenbaum there was a sound he was after that he’d only come close to on one record so far. The sound, he told Rosenbaum, was of “thin, wild mercury.”
This is a book that captures the elusive mercurial artist and his work in a way no other has — a vivid, compelling pursuit of Dylan, successively a hipster folkie, a Greenwich Village sparkplug of a cultural revolution, who plugged into an amplifier to drive away folkie solemnity, then became a countrified crooner, the man who, just months after Rosenbaum’s interview, became a fire-breathing, proselytizing Christian . . . before returning to being a non-religious Jew.
What was behind it all, Rosenbaum asks, and how can we understand him through his lyrics? Tracing it from Dylan’s childhood — when his father hired a Brooklyn rabbi to come to remote Minnesota to prepare his son for his bar mitzvah — through the still touring singer’s late, often inscrutable lyrics, Rosenbaum probes Dylan’s “argument with God,” his differentiation between authenticity and sincerity, and his relentless heretical stances.
Of course, complicating matters for anyone trying to trace the development of Dylan and his life’s work is Dylan’s recurrent denial of the continuity of self. (Whenever asked why he doesn’t sing the old songs the same way as on the record, Dylan typically responds with an irritated, “That’s not me.”)
Ron Rosenbaum has covered Dylan for almost the entirety of his — and Dylan’s — career, starting as a Village Voice culture reporter in 1969. In this deeply personal and literary appreciation, and as Dylan continues to tour and compose new songs, still refusing to play old songs the old way, Rosenbaum offers a moving and involving portrait of an icon who may have been more constant than it appeared after all.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Ron Rosenbaum is a long-time journalist and columnist who has written for the Village Voice, New York Observer, Esquire, The New York Times Magazine, Vanity Fair, and Slate. He is the author of The Shakespeare Wars as well as the New York Times bestseller Explaining Hitler, which was also a New York Times Notable book of the year.
In the wake of the recent hit biopic No Direction Home, this probing appreciation asks: Do the lyrics of Bob Dylan tell the true story of the ever-changing, ever-radical life and career of the Nobel Prize-winning songwriter?
In a dingy windowless bungalow on the Warner Brothers back lot in Hollywood in 1977, in the midst of what may have been the longest interview he ever gave (it stretched over ten days), a chain-smoking Bob Dylan confessed to journalist Ron Rosenbaum that he was troubled
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Half Price Books Inc., Dallas, TX, Etats-Unis
hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! N° de réf. du vendeur S_478485000
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hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! N° de réf. du vendeur S_474086349
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Vendeur : World of Books (was SecondSale), Montgomery, IL, Etats-Unis
Hardback. Etat : Good. Renowned culture critic Ron Rosenbaum discovered not only the world-changing music of early Bob Dylan, but the man himself in the 1960s, when Rosenbaum was a young journalist living in Greenwich Village and working for the legendary alt-newspaper, The Village Voice. Rosenbaum, in fact, lived around the corner from Dylan, and shared mutual friends. It was the time, and the place, where an essential idea of Dylan's character was formed - that of the whip-smart, angry, too-cool-for-school icon, a kind of James Dean in denim. The raspy voice, not to mention the brilliantly cutting lyricism, only somehow added to his cultural dangerousness. Dylan has had many changes of character since then, and throughout, Dylan would tell people, 'I'm not that person anymore,' whatever previous character he was asked about. In a probing and personal literary appreciation, Rosenbaum deep-dives into Dylan's lyrics and writings and his infrequent interviews (including Rosenbaum's own 10-day interview of Dylan in 1978) from throughout his career. What sparked the various conversions and adaptations? And what precisely did Dylan's Jewishness, his mysticism, and his visits with psychics have to do with it all? As Dylan continues to tour the world nonstop with his band and continues to compose new songs, while refusing to play old songs the same way, Rosenbaum offers a moving and involving portrait of an icon who may have been more constant than it appeared. N° de réf. du vendeur CIN1685892256G
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Hardcover. Etat : Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less. N° de réf. du vendeur G1685892256I5N00
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Hardcover. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. N° de réf. du vendeur G1685892256I4N00
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Vendeur : World of Books Inc, Montgomery, IL, Etats-Unis
Hardback. Etat : Good. Renowned culture critic Ron Rosenbaum discovered not only the world-changing music of early Bob Dylan, but the man himself in the 1960s, when Rosenbaum was a young journalist living in Greenwich Village and working for the legendary alt-newspaper, The Village Voice. Rosenbaum, in fact, lived around the corner from Dylan, and shared mutual friends. It was the time, and the place, where an essential idea of Dylan's character was formed - that of the whip-smart, angry, too-cool-for-school icon, a kind of James Dean in denim. The raspy voice, not to mention the brilliantly cutting lyricism, only somehow added to his cultural dangerousness. Dylan has had many changes of character since then, and throughout, Dylan would tell people, 'I'm not that person anymore,' whatever previous character he was asked about. In a probing and personal literary appreciation, Rosenbaum deep-dives into Dylan's lyrics and writings and his infrequent interviews (including Rosenbaum's own 10-day interview of Dylan in 1978) from throughout his career. What sparked the various conversions and adaptations? And what precisely did Dylan's Jewishness, his mysticism, and his visits with psychics have to do with it all? As Dylan continues to tour the world nonstop with his band and continues to compose new songs, while refusing to play old songs the same way, Rosenbaum offers a moving and involving portrait of an icon who may have been more constant than it appeared. N° de réf. du vendeur CIN1685892256G
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Hardcover. Etat : Very Good +. Etat de la jaquette : Very Good +. First Edition. Clean, solid copy with unmarked text. Tiny bumps to front cover corners; binding is tight and square. Jacket is glossy with light surface wear, no tears. 1st edition/1st printing, stated. We are unable to ship oversize books and multi-volume sets internationally. N° de réf. du vendeur BB22608110016
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Hardcover. Etat : new. Hardcover. In the wake of the recent hit biopic A Complete Unknown, this probing appreciation asks: Do the lyrics of Bob Dylan tell the true story of the ever-changing, ever-radical life and career of the Nobel Prize-winning songwriter?In the wake of the recent hit biopic A Complete Unknown, this probing appreciation asks: Do the lyrics of Bob Dylan tell the true story of the ever-changing, ever-radical life and career of the Nobel Prize-winning songwriter?In a dingy windowless bungalow on the Warner Brothers back lot in Hollywood in 1977, in the midst of what may have been the longest interview he ever gave (it stretched over ten days), a chain-smoking Bob Dylan confessed to journalist Ron Rosenbaum that he was troubled by something missing from his music. Dylan - who was editing a dramatic movie based on his life, even as his life seemed to be falling apart - told Rosenbaum there was a sound he was after that he'd only come close to on one record so far. The sound, he told Rosenbaum, was of "thin, wild mercury."This is a book that captures the elusive mercurial artist and his work in a way no other has - a vivid, compelling pursuit of Dylan, successively a hipster folkie, a Greenwich Village sparkplug of a cultural revolution, who plugged into an amplifier to drive away folkie solemnity, then became a countrified crooner, the man who, just months after Rosenbaum's interview, became a fire-breathing, proselytizing Christian . . . before returning to being a non-religious Jew.What was behind it all, Rosenbaum asks, and how can we understand him through his lyrics? Tracing it from Dylan's childhood - when his father hired a Brooklyn rabbi to come to remote Minnesota to prepare his son for his bar mitzvah - through the still touring singer's late, often inscrutable lyrics, Rosenbaum probes Dylan's "argument with God," his differentiation between authenticity and sincerity, and his relentless heretical stances.Of course, complicating matters for anyone trying to trace the development of Dylan and his life's work is Dylan's recurrent denial of the continuity of self. (Whenever asked why he doesn't sing the old songs the same way as on the record, Dylan typically responds with an irritated, "That's not me.")Ron Rosenbaum has covered Dylan for almost the entirety of his - and Dylan's - career, starting as a Village Voice culture reporter in 1969. In this deeply personal and literary appreciation, and as Dylan continues to tour and compose new songs, still refusing to play old songs the old way, Rosenbaum offers a moving and involving portrait of an icon who may have been more constant than it appeared after all. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781685892258
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Hardback or Cased Book. Etat : New. Bob Dylan: Things Have Changed. Book. N° de réf. du vendeur BBS-9781685892258
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