This volume is a print resource guide to the music-making legends of the mid-20th century. It begins with an extended essay that connects John Fogerty and his Creedence Clearwater Revival bandmates to the originating chain of '50s rockers as well as to the post-'60s inheritors of the rock tradition. Next, the text presents a brief listing of '40s and early '50s performers who contributed significantly to the roots of rock 'n' roll music. What follows throughout the text is a bibliographic salute to the recording legends of '50s music, plus an acknowledgement of the most important non-recording professional figures of the same period. Finally, "The Keepers of The Rock 'N' Roll Flame" are enumerated. All persons listed within this text are identified by bibliographic references to either recent print commentaries or important historical literary analyses. Obviously, abbreviated cyber references are also available via the Internet concerning all individuals mentioned in this text. The lengthy "Appendices" provide reviews of recent books or sound recordings that focus on the impact of '50s musicians. Significant songs are also highlighted in two greatest hits discographies. Finally, an extensive "General Bibliography" concludes this print resource guide.
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B. Lee Cooper is a freelance writer and popular music critic. He has been a professor of history and American culture, a dean of students, a provost and vice president for academic affairs, and a university president. He holds degrees from Bowling Green State University (B.S., 1964), Michigan State University (M.A., 1965), Ohio State University (Ph.D., 1971), and Newman University (D.H.L., 2009). He also studied at the Institute for Educational Management (I.E.M., 1980) at Harvard University. Dr. Cooper has an avid interest in 20th Century American popular music. He collects blues, doo-wop, rockabilly, and rock 'n' roll CDs. His scholarly pursuits in popular music include bibliography, discography, song theme identification, and biographical studies. Dr. Cooper has authored more than 600 book and record reviews and over 175 articles. He has also published 51 books, including A RESOURCE GUIDE TO THEMES IN CONTEMPORARY SONG LYRICS, 1950-1985 (Greenwood Press, 1986), ROCK MUSIC IN AMERICAN POPULAR CULTURE -- 3 Volumes (Haworth, 1995, 1997, 1999), THE POPULAR MUSIC HANDBOOK (Libraries Unlimited, 2004), NEW ORLEANS MUSIC: LEGACY AND SURVIVAL (Routledge, 2008), and SOUL MUSIC ASCENDING, 1961-1970 (Paw Paw Press, 2017). In 1983 he received the ASCAP-Deems Taylor Award for excellence in music research after publication of IMAGES OF AMERICAN SOCIETY IN POPULAR MUSIC (Nelson-Hall, 1982). Dr. Cooper is currently President and CEO of Popular Music Research, Ltd., a voluntary association of scholars and teachers who assist young writers with music-related projects. He also teaches for The Osher Lifelong Learning Institute (OLLI) at the University of North Carolina (UNC) -- Asheville. Frank W. Hoffmann served as a Professor of Library & Information Science, as well as Music, from 1979 to 2015. He has written more than fifty trade books (publishers include Routledge, Haworth, Scarecrow, Shoe String and Libraries Unlimited) and thirty e-books (available from NetLibrary and Amazon.com). He has won the Choice Magazine Best Academic Books award for both THE LITERATURE OF ROCK and INTELLECTUAL FREEDOM AND CENSORSHIP.
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