"Published in conjunction with the joint exhibition held concurrently at UCR ARTS: California Museum of Photography and Riverside Art Museum, January 19, 2019-April 28, 2019"--t.p. verso.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Vendeur : Half Price Books Inc., Dallas, TX, Etats-Unis
paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! N° de réf. du vendeur S_471995239
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Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-Unis
Paperback. Etat : new. Paperback. From the title essay:Inland Southern California occupies the margin between two mythical landscapes of the American West--the wide-open spaces of the Basin and Range and the strange dream of Los Angeles. It is set between L.A.'s distillation of golden structures on hardscrabble streets and 500,000 square miles of saltbush, sage, and aspiration. It contains a little of both, and a lot of nothing at all.At its core, In the Sunshine of Neglect is [a book] about place and experiment. It is about artists using the rapidly developing spaces of Inland Southern California as a tabula rasa, a laboratory to dissect new subjects and deploy new approaches. In these interstitial spaces, this zone of neglect on the periphery of Los Angeles, artists have transformed extremity into new practice, banality into discovery. Some have been engaged here for long durations--even lifetimes, while others have cycled through like grad students visiting a research lab down the hall. But the entire current generation is influenced by the new avenues of photography established several of the artists--Robert Adams, Lewis Baltz, Joe Deal, Judy Fiskin, Anthony Hernandez, Sant Khalsa, Laurie Brown, and others--not long ago in the West, this part of the West.In Inland Southern California, photographers criss-cross a landscape so stripped down, so newly manufactured that treasures can be found right at the surface, every surface. Most of [the] artists do not define their task as delving into development, decay, or decline. For the most part, they seek to simply look at the wide range of what is, as if looking can ever be simple. But it's fruitful to undertake the task in a place especially exposed and revealing. A place founded on faith in constant expansion, regardless of cultural or ecological consequences. A place willing to consistently erase the present for a stake in an imagined future. In short, a place that nakedly stands in for the Western World. "Published in conjunction with the joint exhibition held concurrently at UCR ARTS: California Museum of Photography and Riverside Art Museum, January 19, 2019-April 28, 2019"--t.p. verso. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781732403222
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Vendeur : Moe's Books, Berkeley, CA, Etats-Unis
Soft cover. Etat : Near fine. No jacket. Cover and inside pages are clean and unmarked. Photo prints are crisp and vivid. N° de réf. du vendeur 2043706
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Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. 2019. Illustrated. paperback. . . . . . N° de réf. du vendeur V9781732403222
Quantité disponible : 10 disponible(s)
Vendeur : Kennys Bookstore, Olney, MD, Etats-Unis
Etat : New. 2019. Illustrated. paperback. . . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9781732403222
Quantité disponible : 10 disponible(s)
Vendeur : Revaluation Books, Exeter, Royaume-Uni
Paperback. Etat : Brand New. 268 pages. 8.75x11.75x0.75 inches. In Stock. N° de réf. du vendeur x-1732403228
Quantité disponible : 1 disponible(s)
Vendeur : THE SAINT BOOKSTORE, Southport, Royaume-Uni
Paperback / softback. Etat : New. New copy - Usually dispatched within 4 working days. N° de réf. du vendeur B9781732403222
Quantité disponible : 1 disponible(s)
Vendeur : AussieBookSeller, Truganina, VIC, Australie
Paperback. Etat : new. Paperback. From the title essay:Inland Southern California occupies the margin between two mythical landscapes of the American West--the wide-open spaces of the Basin and Range and the strange dream of Los Angeles. It is set between L.A.'s distillation of golden structures on hardscrabble streets and 500,000 square miles of saltbush, sage, and aspiration. It contains a little of both, and a lot of nothing at all.At its core, In the Sunshine of Neglect is [a book] about place and experiment. It is about artists using the rapidly developing spaces of Inland Southern California as a tabula rasa, a laboratory to dissect new subjects and deploy new approaches. In these interstitial spaces, this zone of neglect on the periphery of Los Angeles, artists have transformed extremity into new practice, banality into discovery. Some have been engaged here for long durations--even lifetimes, while others have cycled through like grad students visiting a research lab down the hall. But the entire current generation is influenced by the new avenues of photography established several of the artists--Robert Adams, Lewis Baltz, Joe Deal, Judy Fiskin, Anthony Hernandez, Sant Khalsa, Laurie Brown, and others--not long ago in the West, this part of the West.In Inland Southern California, photographers criss-cross a landscape so stripped down, so newly manufactured that treasures can be found right at the surface, every surface. Most of [the] artists do not define their task as delving into development, decay, or decline. For the most part, they seek to simply look at the wide range of what is, as if looking can ever be simple. But it's fruitful to undertake the task in a place especially exposed and revealing. A place founded on faith in constant expansion, regardless of cultural or ecological consequences. A place willing to consistently erase the present for a stake in an imagined future. In short, a place that nakedly stands in for the Western World. "Published in conjunction with the joint exhibition held concurrently at UCR ARTS: California Museum of Photography and Riverside Art Museum, January 19, 2019-April 28, 2019"--t.p. verso. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. N° de réf. du vendeur 9781732403222
Quantité disponible : 1 disponible(s)