When Telegonos, the son of Odysseus and the goddess Circe, sets out to seek his father's land, disaster strikes and the wanderers are shipwrecked on a mysterious island. As dreams and omens gather around him, Telegonos must make the most harrowing decision of his young life. Told in poetic form, Telegonos offers a vision of the world of classical myth with allegorical overtones.
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Jonathan Golding grew up in South East Asia as the son of Protestant missionaries. An avid reader, he developed an interest in writing early in life. He attended the University of La Verne, in Southern California, where he majored in literature and theater arts. Although he initially desired to imitate the works of modern and avant garde poets and novelists, he eventually found himself drawn to classical forms of expression. While researching the literature of late antiquity, he began reading the early Church Fathers. He converted to Eastern Orthodox Christianity in 2006. He currently resides in San Diego, California. Previously, Golding contributed to Clearing Paths: A Darkly Bright Anthology of Verse (Darkly Bright Press, 2021). Visit his website, Worlds Imagined: www.httpstextures.com.
Megan Elizabeth Gilbert received a BA in Fine Arts and Art Education from PLNU in San Diego, while also studying in France and Greece. She has taught art in Canada, the US, and Europe. She and her husband and their four children are currently residing at St. Vladimir's Orthodox Theological Seminary in New York. You can view more of her work at www.megan-gilbert.com.
Gaelan Gilbert is an adjunct professor of Literature & History at Hellenic College in Brookline, MA, and Visiting Professor of Arts & Humanities at the University of Saint Katherine in San Diego, CA. He has studied and taught in parts of Europe and North America. His poetry has appeared here and there. He lives with his wife and their four children in New York. He is the author of a collection of poetry, One Is Found First (Darkly Bright Press, 2018) and a children's book, Laurel and the Wind (Ancient Faith, 2020).
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