A fascinating visual record of nineteenth-century Indigenous communities in the American West
In the early nineteenth century, Prince Maximilian of Wied traveled the Missouri River to uncover what he called "the natural face of North America"--its landscapes, flora and fauna, and Native inhabitants. Among his small party was artist Karl Bodmer (1809-1893), who would prove to be one of the most accomplished and prolific artists to visit the American frontier. Bodmer and Maximilian traveled more than 2,500 miles together, spending time among the Mandan, Hidatsa, Omaha, Otoe, Pawnee, Yankton, Santee Sioux, Assiniboines, Plains Cree, Blackfeet, Piegans, Bloods, and Gros Ventre. Bodmer's watercolors of the people he met remain among the most compelling visual accounts of the American West, an invaluable record of the Missouri River's Indigenous communities. The first publication to focus on Bodmer as a portraitist, Faces from the Interior includes essays examining his artistic practice, the international dissemination of his images, and the ongoing significance of his work to Indigenous communities.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Toby Jurovics is the Chief Curator and Holland Curator of American Western Art at the Joslyn Art Museum in Omaha, Nebraska.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardcover. Etat : new. Hardcover. A fascinating visual record of nineteenth-century Indigenous communities in the American WestIn the early nineteenth century, Prince Maximilian of Wied traveled the Missouri River to uncover what he called the natural face of North Americaits landscapes, flora and fauna, and Native inhabitants. Among his small party was artist Karl Bodmer (18091893), who would prove to be one of the most accomplished and prolific artists to visit the American frontier. Bodmer and Maximilian traveled more than 2,500 miles together, spending time among the Mandan, Hidatsa, Omaha, Otoe, Pawnee, Yankton, Santee Sioux, Assiniboines, Plains Cree, Blackfeet, Piegans, Bloods, and Gros Ventre. Bodmers watercolors of the people he met remain among the most compelling visual accounts of the American West, an invaluable record of the Missouri Rivers Indigenous communities. The first publication to focus on Bodmer as a portraitist, Faces from the Interior includes essays examining his artistic practice, the international dissemination of his images, and the ongoing significance of his work to Indigenous communities. A fascinating visual record of nineteenth-century Indigenous communities in the American WestIn the early nineteenth century, Prince Maximilian of Wied traveled the Missouri River to uncover what he called the natural face of North Americaits landscapes, flora and fauna, and Native inhabitants. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781735441641
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Vendeur : Rarewaves USA, OSWEGO, IL, Etats-Unis
Hardback. Etat : New. A fascinating visual record of nineteenth-century Indigenous communities in the American WestIn the early nineteenth century, Prince Maximilian of Wied traveled the Missouri River to uncover what he called "the natural face of North America"-its landscapes, flora and fauna, and Native inhabitants. Among his small party was artist Karl Bodmer (1809-1893), who would prove to be one of the most accomplished and prolific artists to visit the American frontier. Bodmer and Maximilian traveled more than 2,500 miles together, spending time among the Mandan, Hidatsa, Omaha, Otoe, Pawnee, Yankton, Santee Sioux, Assiniboines, Plains Cree, Blackfeet, Piegans, Bloods, and Gros Ventre. Bodmer's watercolors of the people he met remain among the most compelling visual accounts of the American West, an invaluable record of the Missouri River's Indigenous communities. The first publication to focus on Bodmer as a portraitist, Faces from the Interior includes essays examining his artistic practice, the international dissemination of his images, and the ongoing significance of his work to Indigenous communities. N° de réf. du vendeur LU-9781735441641
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Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Hardback. Etat : New. A fascinating visual record of nineteenth-century Indigenous communities in the American WestIn the early nineteenth century, Prince Maximilian of Wied traveled the Missouri River to uncover what he called "the natural face of North America"-its landscapes, flora and fauna, and Native inhabitants. Among his small party was artist Karl Bodmer (1809-1893), who would prove to be one of the most accomplished and prolific artists to visit the American frontier. Bodmer and Maximilian traveled more than 2,500 miles together, spending time among the Mandan, Hidatsa, Omaha, Otoe, Pawnee, Yankton, Santee Sioux, Assiniboines, Plains Cree, Blackfeet, Piegans, Bloods, and Gros Ventre. Bodmer's watercolors of the people he met remain among the most compelling visual accounts of the American West, an invaluable record of the Missouri River's Indigenous communities. The first publication to focus on Bodmer as a portraitist, Faces from the Interior includes essays examining his artistic practice, the international dissemination of his images, and the ongoing significance of his work to Indigenous communities. N° de réf. du vendeur LU-9781735441641
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