An epistolary portrait of Wojnarowicz's formation as an artist and writer through his tender letters to his Parisian lover--with artwork, photographs and ephemera
This volume collects David Wojnarowicz's transatlantic correspondence to his Parisian lover Jean Pierre Delage between 1979 and 1982. Capturing a truly foundational moment for Wojnarowicz's artistic and literary practice, these letters not only reveal his captivating personality--and its concomitant compassion, neuroses and tenderness--but also index the development of the visual language that would go on to codify him as one of the preeminent artists of his generation.
Through this collection, readers are introduced to Wojnarowicz's Rimbaud series, his band 3 Teens Kill 4, the publication of his first photographs, his early friendship with Peter Hujar, his participation in the then-emerging East Village art and music scenes, and the preparations for the publication of his first book. Included with these writings are postcards, drawings, xeroxes, photo-graphs, collages, flyers, ephemera and contact sheets that showcase some of the artist's iconic images and work, such as the Burning House motif and Untitled (Genet, after Brassai).
Beyond these milestones, the book offers a striking portrayal of Wojnarowicz as a 20-something detailing his day-to-day life with the type of unbridled earnestness that comes with his age and the softness of love and longing. This disarming tenderness provides a picture of a young man who is just beginning to find his voice in the world and the love he has discovered in it. Although the two exchanged letters in equal measure, Delage's correspondences have largely been lost, leaving us with only a revelatory glimpse into the internal world of Wojnarowicz during what turned out to be his formative years.
Painter, photographer, writer, filmmaker, performance artist, songwriter and activist, David Wojnarowicz was born in Redbank, New Jersey, in 1954 and died of AIDS in New York in 1992. He authored five books, most famously Close to the Knives. Wojnarowicz attained national prominence as a writer and advocate for AIDS awareness and for his stance against censorship. His work is in numerous private and public collections, including the Museum of Modern Art and Whitney Museum of American Art, New York; Los Angeles County Museum of Art; and the National Gallery of Canada, Ottawa, among other institutions.
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Vendeur : leaves, Brooklyn, NY, Etats-Unis
First Edition. first edition, 2023. "dear jean pierre collects david wojnarowicz's transatlantic correspondence to his parisian lover jean pierre delage between 1979 and 1982. capturing a foundational moment in wojnarowicz's artistic and literary practice, these letters not only reveal his captivating personality--and its concomitant tenderness, compassion, and neuroses--but also index the development of the visual language that would define him as one of the preeminent artists of his generation." new york: primary information. isbn: 978-1-7377979-5-1. 8.5 x 11 inches. 615 pages. softcover. bound in pictorial paper wrappers. book condition: neglible shelfwear. small crease to lower back left cover. near fine. N° de réf. du vendeur 2916
Quantité disponible : 1 disponible(s)
Vendeur : Aeon Bookstore, New York, NY, Etats-Unis
Soft cover. Etat : New. Brand new factory sealed copy of this now out of print collection of beautifully illustrated correspondence of David Wojnarowicz and lover Jean Pierre Delage, offering insight into the artists life and mind as well as his visual sensibility in its most raw form. Sealed in shrinkwrap, no discernible wear. N° de réf. du vendeur ABE-1786396437562
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Vendeur : Treehorn Books, Santa Rosa, CA, Etats-Unis
Hardcover. Etat : New. Etat de la jaquette : No Dust Jacket. B and w photos and illus.; 8.5 X 1.9 X 11 inches; 592 pages. N° de réf. du vendeur 17796
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Vendeur : Huzzah! books, Boone, NC, Etats-Unis
Perfect Bound Soft Cover. Etat : This is a new book. First Edition. Dear Jean Pierre collects David Wojnarowicz's transatlantic correspondence to his Parisian lover Jean Pierre Delage between 1979 and 1982. Capturing a truly foundational moment for Wojnarowicz's artistic and literary practice, these letters not only reveal his captivating personality-and its concomitant tenderness, compassion, and neuroses-but also index the development of the visual language that would go on to define him as one of the preeminent artists of his generation. Through this collection, readers are introduced to Wojnarowicz's Rimbaud series, the band 3 Teens Kill 4, the publication of his first photographs, his early friendship with Peter Hujar, his participation in the then-emerging East Village art and music scenes, and the preparations for the publication of his first book. Included with these writings are postcards, drawings, xeroxes, photographs, collages, flyers, ephemera, and contact sheets that showcase some of the artist's iconic images and work, such as the Burning House motif and Untitled (Genet, after Brassai). Beyond these milestones, the book offers a striking portrayal of Wojnarowicz as a twenty-something, detailing his day-to-day life with the type of unbridled earnestness that comes with that age and the softness of love and longing. This disarming tenderness provides a picture of a young man just beginning to find his voice in the world and the love he has found in it. Although the two exchanged letters in equal measure, Delage's correspondences have largely been lost, leaving us with only a revelatory glimpse into the internal world of Wojnarowicz during what turned out to be his formative years. David Wojnarowicz (1954-1992) was born in Red Bank, New Jersey. Wojnarowicz channeled a vast accumulation of raw images, sounds, memories and lived experiences into a powerful voice that was an undeniable presence in the New York City art scene of the 1970s, 80s and early 90s. Through his several volumes of fiction, poetry, memoirs, painting, photography, installation, sculpture, film and performance, Wojnarowicz left a legacy, affirming art's vivifying power in a society he viewed as alienating and corrosive. His use of blunt semiotics and graphic illustrations exposed what he felt the mainstream repressed: poverty, abuse of power, blind nationalism, greed, homophobia and the devastation of the AIDS epidemic. Wojnarowicz died of AIDS-related complications on July 22, 1992 at the age of 37. . N° de réf. du vendeur 82
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