Lorsque la pièce controversée d'Ibsen A Doll's House s'est ouverte à un public bondé au théâtre Princes de Melbsen, le claquement de la porte alors que Nora a laissé son mari dans l'acte final a fait écho dans l'esprit de milliers de jeunes femmes australiennes. Ce livre concerne quatre de ces femmes, nées à Victoria entre 1867 et 1893, qui ont vécu les changements qui ont balayé la vie, la culture et l'art au début du XXe siècle. Quatre courtes biographies retracent leur vie parallèle.
De Rome, Dora Ohlfsen a établi une carrière de sculpteur célèbre. Avec le soutien de Mussolini, elle est devenue le seul sculpteur expatrié en Italie commandé avec un monument commémoratif de guerre national. De manière significative, sa médaille Anzac a été la première œuvre d'art commémorative commémorative des Anzacs. Depuis Paris, Louise Dyer a revigoré l'édition et l'enregistrement musicaux, aidant à transformer la culture musicale dans le monde entier. Son label Les Éditions de L'Oiseau-Lyre a jeté les bases du renouveau de la musique ancienne moderne et a contribué à façonner la notion d'authenticité dans la performance musicale. De Londres, Clarice Zander a promu la compréhension culturelle en tant que conservatrice et publiciste pour la Royal Academy. Elle a été pionnière dans le marketing moderne de l'art et a organisé la première exposition importante d'art britannique contemporain en Australie. De New York, Mary Cecil Allen, peintre, critique et éducatrice, travaillant au centre de l'art moderne, en a inspiré beaucoup. Elle a dirigé la première exposition touristique d'art contemporain australien aux États-Unis.
Femmes modernes des arts, elles se sont réveillées à leur plein potentiel et ont créé des opportunités pour les autres de faire de même.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Eileen Chanin is a historian at the University of New South Wales, and is currently the Menzies Fellow at the Menzies Centre for Australian Studies, King's College London. Degenerates and Perverts: The 1939 Herald Exhibition of French and British Contemporary Art (2005), co-authored with Steven Miller, received the NSW Premier's Australian History Award. The pair also co-authored The Art and Life of Weaver Hawkins (1995). Eileen Chanin's other books include Limbang Rebellion: 7 Days in December 1962 (2013) and Book Life: The life and times of David Scott Mitchell (2011).
Steven Miller is head of the Research Library and Archive of the Art Gallery of New South Wales. He has published widely on art, with his book on Australian culture between the two world wars (Degenerates and Perverts) winning the NSW Premier's Australian History Award in 2006. He lives in Sydney and is the proud owner of Finbar, a Welsh Terrier.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : new. Paperback. When Ibsen's controversial play A Doll's House opened to packed audiences at Melbourne's Princes Theatre, the slam of the door as Nora left her husband in the final act echoed in the minds of thousands of young Australian women. This book is about four of these women, born in Victoria between 1867 and 1893, who lived through the changes which swept across life, culture and art during the early twentieth century. Four short biographies trace their parallel lives.From Rome, Dora Ohlfsen established a career as a celebrated sculptor. With Mussolini's support, she became the only expatriate sculptor in Italy commissioned with a national war memorial. Significantly, her Anzac medal was the first commemorative work of art memorialising the Anzacs. From Paris, Louise Dyer invigorated music publishing and recording, helping to transform musical culture world-wide. Her label Les .ditions de L'Oiseau-Lyre laid the foundations of the modern early music revival and helped shape the notion of 'authenticity' in musical performance. From London, Clarice Zander promoted cultural understanding as a curator and as the publicist for the Royal Academy. She pioneered the modern marketing of art and curated Australia's first important exhibition of contemporary British art. From New York, Mary Cecil Allen, painter, critic, and educator, working at the centre of modern art, inspired many. She ran the first touring exhibition of contemporary Australian art in the United States.Modern women of the arts, they awoke to their full potential and created opportunities for others to do likewise. This book is about four women, born in Victoria between 1867 and 1893, who lived through the changes which swept across life, culture and art during the early twentieth century. Four short biographies trace their parallel lives. Modern women of the arts, they awoke to their full potential and created opportunities for others to do likewise. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781743053652
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Trade Paperback Original. Etat : Ex-Library (Good). First Edition. Ex-library; top and bottom outer edges have soil; tight, text clean. ix, [1], 229 p., with in-text illustrations and 32 p. of plates (some color) [ifo b 316 wht bdha]. N° de réf. du vendeur 207749
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Trade Paperback. Etat : Fine. 1st Edition. Near Fine condition. a new book but with some very slight rubbing to lower corners (shelf wear) slight edge wear. Illustrated with Colour and Black & White Photographs. Black & white & colour reproductions of art work. Robust, professional packaging and tracking provided for all parcels. 229 pages. Biographies of four Australian women of the arts - The Artist Dora Ohlfsen; The Patron Louise Dyer; The Publicist Clarice Zander; and The Educator Mary Cecil Allen. N° de réf. du vendeur 329613
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Paperback. Etat : new. Paperback. When Ibsen's controversial play A Doll's House opened to packed audiences at Melbourne's Princes Theatre, the slam of the door as Nora left her husband in the final act echoed in the minds of thousands of young Australian women. This book is about four of these women, born in Victoria between 1867 and 1893, who lived through the changes which swept across life, culture and art during the early twentieth century. Four short biographies trace their parallel lives.From Rome, Dora Ohlfsen established a career as a celebrated sculptor. With Mussolini's support, she became the only expatriate sculptor in Italy commissioned with a national war memorial. Significantly, her Anzac medal was the first commemorative work of art memorialising the Anzacs. From Paris, Louise Dyer invigorated music publishing and recording, helping to transform musical culture world-wide. Her label Les .ditions de L'Oiseau-Lyre laid the foundations of the modern early music revival and helped shape the notion of 'authenticity' in musical performance. From London, Clarice Zander promoted cultural understanding as a curator and as the publicist for the Royal Academy. She pioneered the modern marketing of art and curated Australia's first important exhibition of contemporary British art. From New York, Mary Cecil Allen, painter, critic, and educator, working at the centre of modern art, inspired many. She ran the first touring exhibition of contemporary Australian art in the United States.Modern women of the arts, they awoke to their full potential and created opportunities for others to do likewise. This book is about four women, born in Victoria between 1867 and 1893, who lived through the changes which swept across life, culture and art during the early twentieth century. Four short biographies trace their parallel lives. Modern women of the arts, they awoke to their full potential and created opportunities for others to do likewise. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. N° de réf. du vendeur 9781743053652
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Paperback. Etat : new. Paperback. When Ibsen's controversial play A Doll's House opened to packed audiences at Melbourne's Princes Theatre, the slam of the door as Nora left her husband in the final act echoed in the minds of thousands of young Australian women. This book is about four of these women, born in Victoria between 1867 and 1893, who lived through the changes which swept across life, culture and art during the early twentieth century. Four short biographies trace their parallel lives.From Rome, Dora Ohlfsen established a career as a celebrated sculptor. With Mussolini's support, she became the only expatriate sculptor in Italy commissioned with a national war memorial. Significantly, her Anzac medal was the first commemorative work of art memorialising the Anzacs. From Paris, Louise Dyer invigorated music publishing and recording, helping to transform musical culture world-wide. Her label Les .ditions de L'Oiseau-Lyre laid the foundations of the modern early music revival and helped shape the notion of 'authenticity' in musical performance. From London, Clarice Zander promoted cultural understanding as a curator and as the publicist for the Royal Academy. She pioneered the modern marketing of art and curated Australia's first important exhibition of contemporary British art. From New York, Mary Cecil Allen, painter, critic, and educator, working at the centre of modern art, inspired many. She ran the first touring exhibition of contemporary Australian art in the United States.Modern women of the arts, they awoke to their full potential and created opportunities for others to do likewise. This book is about four women, born in Victoria between 1867 and 1893, who lived through the changes which swept across life, culture and art during the early twentieth century. Four short biographies trace their parallel lives. Modern women of the arts, they awoke to their full potential and created opportunities for others to do likewise. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9781743053652
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