An absurdist comic strip satire of cinephilia in the attention economy
A specter is haunting the cinema. A contrarian crew of small town theatre employees trade quips about directors, film criticism, and contemporary moviegoing, but underneath their banter and clashes with customers, an ideology begins to take shape. With the help of a dissatisfied cinephile and some witchy magic, the employees radicalize, take over the theatre, and seize the means of projection.
What starts out as a workplace comedy simmers and then explodes into an absurdist Marxist-Leninist cinema-focused tract. The Reel Politik revolutionaries demand that we ditch the small screens in our pockets for the big ones in the theater as they take on streaming services, phone addiction, algorithms, phony democracy, and the conventions of moviegoing etiquette. Does that mean they hijack the Criterion Closet van? You bet it does.
Cartoonist Nathan Gelgud both champions and lampoons the aspirations and failures of cinema and not a single sacred cinematic cow goes un-punched in this manifesto for revolution through film.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Nathan Gelgud has been a projectionist, a video store clerk, and a movie critic. In 2012, he came in second place for the AltWeekly Award in Arts Criticism. He pretty much quit film criticism right after that. He makes comics about the arts for the New York Times and Hyperallergic when they let him. He used to live in New York, now he lives in Los Angeles. He is also the author of Reel Politik.
An absurdist comic strip satire of cinephilia in the attention economy.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : new. Paperback. An absurdist comic strip satire of cinephilia in the attention economyA specter is haunting the cinema. A contrarian crew of small town theatre employees trade quips about directors, film criticism, and contemporary moviegoing, but underneath their banter and clashes with customers, an ideology begins to take shape. With the help of a dissatisfied cinephile and some witchy magic, the employees radicalize, take over the theatre, and seize the means of projection.What starts out as a workplace comedy simmers and then explodes into an absurdist Marxist-Leninist cinema-focused tract. The Reel Politik revolutionaries demand that we ditch the small screens in our pockets for the big ones in the theater as they take on streaming services, phone addiction, algorithms, phony democracy, and the conventions of moviegoing etiquette. Does that mean they hijack the Criterion Closet van? You bet it does.Cartoonist Nathan Gelgud both champions and lampoons the aspirations and failures of cinema and not a single sacred cinematic cow goes un-punched in this manifesto for revolution through film. An absurdist comic strip satire of cinephilia in the attention economy. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781770468153
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Paperback. Etat : New. An absurdist comic strip satire of cinephilia in the attention economy. A spectre is haunting the cinema. A contrarian crew of small town theatre employees trade quips about directors, film criticism, and contemporary moviegoing, but underneath their banter and clashes with customers, an ideology begins to take shape. With the help of a dissatisfied cinephile and some witchy magic, the employees radicalize, take over the theatre, and seize the means of projection. What starts out as a workplace comedy simmers and then explodes into an absurdist Marxist-Leninist cinema-focused tract. The Reel Politik revolutionaries demand that we ditch the small screens in our pockets for the big ones in the theater as they take on streaming services, phone addiction, algorithms, phony democracy, and the conventions of moviegoing etiquette. Does that mean they hijack the Criterion Closet van? You bet it does. Cartoonist Nathan Gelgud both champions and lampoons the aspirations and failures of cinema and not a single sacred cinematic cow goes un-punched in this manifesto for revolution through film. N° de réf. du vendeur LU-9781770468153
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Paperback. Etat : New. An absurdist comic strip satire of cinephilia in the attention economy. A spectre is haunting the cinema. A contrarian crew of small town theatre employees trade quips about directors, film criticism, and contemporary moviegoing, but underneath their banter and clashes with customers, an ideology begins to take shape. With the help of a dissatisfied cinephile and some witchy magic, the employees radicalize, take over the theatre, and seize the means of projection. What starts out as a workplace comedy simmers and then explodes into an absurdist Marxist-Leninist cinema-focused tract. The Reel Politik revolutionaries demand that we ditch the small screens in our pockets for the big ones in the theater as they take on streaming services, phone addiction, algorithms, phony democracy, and the conventions of moviegoing etiquette. Does that mean they hijack the Criterion Closet van? You bet it does. Cartoonist Nathan Gelgud both champions and lampoons the aspirations and failures of cinema and not a single sacred cinematic cow goes un-punched in this manifesto for revolution through film. N° de réf. du vendeur LU-9781770468153
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