Essay topics range from Hollywood's influence on the look of the contemporary Canadian "real," to the power and the pitfalls of a "realism of redress" in intercultural Canadian theatre, to the apparently oxymoronic notion of "devised" realism, to the complexities of Indigenous realism(s). Together, this book's writers suggest that Canada's theatrical realisms are fractious, multiple, difficult, yet rife with potential.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Roberta Barker is Associate Professor of Theatre at Dalhousie University and the University of King's College. She is the author of Early Modern Tragedy, Gender and Performance, 1984-2000: The Destined Livery. Her work on early modern and modern drama in performance has been published in Shakespeare Survey, Shakespeare Quarterly, Modern Drama, and Early Theatre, among other journals and essay collections, while her articles on contemporary Atlantic Canadian theatre have appeared in Canadian Theatre Review and Theatre in Atlantic Canada.
Kim Solga is Associate Professor of English at the University of Western Ontario and Senior Lecturer in Drama at Queen Mary, University of London. She is the author of Violence Against Women in Early Modern Performance: Invisible Acts, and co-editor of Performance and the City and Performance and the Global City. Her work on Canadian performance has appeared in Theatre Research in Canada, Canadian Theatre Review, The Drama Review, and Theatre Journal, as well as in several essay collections.Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : new. Paperback. Essay topics range from Hollywoods influence on the look of the contemporary Canadian real, to the power and the pitfalls of a realism of redress in intercultural Canadian theatre, to the apparently oxymoronic notion of devised realism, to the complexities of Indigenous realism(s). Together, this books writers suggest that Canadas theatrical realisms are fractious, multiple, difficult, yet rife with potential. A collection of writing by celebrated scholars and artists that explores the state of political performance in contemporary Canada. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781770910720
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Paperback. Etat : new. Paperback. Essay topics range from Hollywoods influence on the look of the contemporary Canadian real, to the power and the pitfalls of a realism of redress in intercultural Canadian theatre, to the apparently oxymoronic notion of devised realism, to the complexities of Indigenous realism(s). Together, this books writers suggest that Canadas theatrical realisms are fractious, multiple, difficult, yet rife with potential. A collection of writing by celebrated scholars and artists that explores the state of political performance in contemporary Canada. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. N° de réf. du vendeur 9781770910720
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Etat : New. Über den AutorrnrnRoberta Barker is Associate Professor of Theatre at Dalhousie University and the University of King s College. She is the author of Early Modern Tragedy, Gender and Performance, 1984-2000: The Destined Livery. . N° de réf. du vendeur 905383416
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