An intimate portrait of the brilliant and controversial architect who put Canada on the world stage.
Arthur Erickson, Canada's preeminent philosopher-architect, was renowned for his innovative approach to landscape, his genius for spatial composition and his epic vision of architecture for people. Erickson worked chiefly in concrete, which he called "the marble of our times," and wherever they appear, his buildings move the spirit with their poetic freshness and their mission to inspire. Erickson was also a controversial figure, more than once attracting the ire of his fellow architects, and leading a complicated personal life that resulted in a series of bankruptcies. In a fall from grace that recalls a Greek tragedy, Canada's great architect -- a handsome, elegant man who lived like a millionaire and counted among his close friends Pierre Trudeau and Elizabeth Taylor -- eventually became penniless. Arthur Erickson is both an intimate portrait of the man and a stirring account of how he made his buildings work.Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
DAVID STOUCK is professor emeritus of English at Simon Fraser University. With Myler Wilkinson, he edited two first-of-kind anthologies of British Columbia literature. His biographies of Ethel Wilson and Sinclair Ross, and his editions of their unpublished writings, attracted critical acclaim and have been shortlisted for awards in both Canada and the United States. He lives in Vancouver, British Columbia.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardback. Etat : Very Good. At long last, here is a book of critical thought that analyzes Arthur Erickson's best work and situates it as a distinctive body of ideas within the mainstream of international architecture in the last half of the twentieth century. Nicholas Olsberg draws on Erickson's own discussion of ideas to present a thoughtful and illuminating reassessment of his most important work. Ricardo Castro's photography captures essential passages of the works as they have matured into their settings. Archival photographs, study models, drawings and plans show how the designs were evolved and their intent conveyed. Essays from Edward Dimendberg, Laurent Stalder and Georges Teyssot add an international and critical context. This book was published in partnership with the Vancouver Art Gallery. N° de réf. du vendeur CIN1771000112VG
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Hardcover. Etat : Fair. Verschmutzung / Wasserschaden; Abnutzung / Risse - leicht. At long last, here is a book of critical thought that analyzes Arthur Erickson's best work and situates it as a distinctive body of ideas within the mainstream of international architecture in the last half of the twentieth century. Nicholas Olsberg draws on Erickson's own discussion of ideas to present a thoughtful and illuminating reassessment of his most important work. Ricardo Castro's photography captures essential passages of the works as they have matured into their settings. Archival photographs, study models, drawings and plans show how the designs were evolved and their intent conveyed. Essays from Edward Dimendberg, Laurent Stalder and Georges Teyssot add an international and critical context. This book was published in partnership with the Vancouver Art Gallery. N° de réf. du vendeur b7cb7ce3-66f8-4db4-9441-3028c9e32c8e
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