As forms of drawing go, scribbling is the most basic: it is seen as playing a formative role in the drawings of both children and primates. Doodling, while still being a widespread phenomenon, is largely an adult preoccupation--a nomadic form of drawing typically produced during meetings and phone calls. But even though those who engage in it are not necessarily trained artists, automatic drawing is a more dramatic event, and the results of an absentminded or trancelike state are sometimes astonishing. Because of their amateur and spontaneous character, all three forms of drawing have been adopted by modern artists seeking to escape from the constraints of their professional skills. In Line Let Loose, David Maclagan shows that each of these marginal forms of drawing has its own history in spiritualism, surrealism, abstract expressionism, and psychedelic art. Referring to Klee, Pollock, Miro, Twombly, and LeWitt, as well as many lesser-known or anonymous artists, he traces the links between them and a pervasive notion of the spontaneous and 'unconscious' creation of forms in art. He suggests that the original novelty of these unconventional drawing processes has begun to wear off, and he explores their new situation in our modern digital culture.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
David Maclagan is an artist, art therapist, and university lecturer. He has published numerous articles on outsider art, art therapy, and image-based psychology, and is the author of Creation Myths: Man's Introduction to the World and Psychological Aesthetics: Painting, Feeling and Making Sense.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardcover. Etat : Very Good. Line Let Loose: Scribbling, Doodling and Automatic Drawing This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. . N° de réf. du vendeur 7719-9781780230825
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Etat : New. David Maclagan's book is an investigation of scribbling, doodling and automatic drawing, marginal forms that have all been used by modern artists seeking spontaneous or 'unconscious' creation. Num Pages: 176 pages, 30 colour. BIC Classification: AFF. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 206 x 150 x 17. Weight in Grams: 486. . 2013. Hardcover. . . . . N° de réf. du vendeur V9781780230825
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Hardback. Etat : New. Line Let Loose is a sustained investigation of the evolution of scribbling, doodling and automatic drawing. Of these three forms of drafting, scribbling is the most basic: it is seen as playing a formative role in the drawings of both children and primates. Doodling, whilst still being a widespread phenomenon, is largely an adult preoccupation, a nomadic form of drawing typically produced during meetings or phone calls. Automatic drawing, on the other hand, even though those who engage in it are not necessarily trained artists, is a more dramatic event: the results of an absent-minded or trance-like state are sometimes astonishing. All three forms of drawing have, because of their amateur and spontaneous character, been adopted by modern artists seeking to escape from the constraints of their professional skills.David Maclagan shows that each of these marginal forms of drawing has its own history, which includes Spiritualism, Surrealism, Abstract Expressionism and Psychedelic Art. Referring to Klee, Pollock, Miró, Twombly and Sol Lewitt, as well as many lesser-known or anonymous artists, he traces the links between them and a pervasive notion of the spontaneous and 'unconscious' creation of forms in art. He suggests that the original novelty of these unconventional drawing processes has begun to wear off, and he explores their new situation in our modern digital culture. N° de réf. du vendeur LU-9781780230825
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Hardback. Etat : New. Line Let Loose is a sustained investigation of the evolution of scribbling, doodling and automatic drawing. Of these three forms of drafting, scribbling is the most basic: it is seen as playing a formative role in the drawings of both children and primates. Doodling, whilst still being a widespread phenomenon, is largely an adult preoccupation, a nomadic form of drawing typically produced during meetings or phone calls. Automatic drawing, on the other hand, even though those who engage in it are not necessarily trained artists, is a more dramatic event: the results of an absent-minded or trance-like state are sometimes astonishing. All three forms of drawing have, because of their amateur and spontaneous character, been adopted by modern artists seeking to escape from the constraints of their professional skills.David Maclagan shows that each of these marginal forms of drawing has its own history, which includes Spiritualism, Surrealism, Abstract Expressionism and Psychedelic Art. Referring to Klee, Pollock, Miró, Twombly and Sol Lewitt, as well as many lesser-known or anonymous artists, he traces the links between them and a pervasive notion of the spontaneous and 'unconscious' creation of forms in art. He suggests that the original novelty of these unconventional drawing processes has begun to wear off, and he explores their new situation in our modern digital culture. N° de réf. du vendeur LU-9781780230825
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