Winner of the Pigott Poetry Prize 2020
The poems in Miriam Gamble's third collection journey surreally through scenes and landscapes at once of the world and of the mind: in these questing missives from 'reality's upended cage', 'nothing can be claimed self-evident'. By turns uncanny, dark, poignant and uproarious, What Planet sets the individuality of perception and the inventiveness of memory against fixed certainties, probing chaos and madness in a post-truth world.
Rhythmically propulsive and dizzyingly inter-connective, Gamble's new work is as formally adventurous as it is conceptually distinctive, stretching syntax, jumbling the solid and spectral, crossing borders of time and space. Yet this is also a collection pained by loss, and passionate to connect with a life's 'vacated' corners - even if the act of remembering is as much creation as recovery.
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Miriam Gamble was born in Brussels in 1980 and grew up in Belfast. She studied at Oxford and at Queen's University Belfast, where she completed a PhD in contemporary British and Irish poetry. She won an Eric Gregory Award in 2007, and the Ireland Chair of Poetry Bursary Award in 2010. Her pamphlet, This Man's Town, was published by tall-lighthouse in 2007. Her first book-length collection, The Squirrels Are Dead, was published by Bloodaxe Books in 2010 and won her a Somerset Maugham Award in 2011. Her second collection, Pirate Music (Bloodaxe Books, 2014), was followed by What Planet (2019), winner of Listowel Writers' Week's Pigott Poetry Prize 2020. She lectures in creative writing at Edinburgh University.
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Paperback. Etat : New. The poems in Miriam Gamble's third collection journey surreally through scenes and landscapes at once of the world and of the mind, finding little, as they go, that 'can be claimed self-evident'. By turns uncanny, dark, poignant and uproarious, What Planet sets the individuality of perception and the inventiveness of memory against fixed certainties, probing chaos and madness in a post-truth world. Rhythmically propulsive and dizzyingly inter-connective, Gamble's new work is as formally adventurous as it is conceptually distinctive, stretching syntax, jumbling the solid and spectral, crossing borders of time and space. Yet this is also a collection pained by loss, and passionate to connect with a life's 'vacated' corners - even if the act of remembering is as much creation as recovery. Winner of the 2020 Pigott Poetry Prize. N° de réf. du vendeur LU-9781780374840
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Paperback. Etat : new. Paperback. The poems in Miriam Gamble's third collection journey surreally through scenes and landscapes at once of the world and of the mind: in these questing missives from 'reality's upended cage', 'nothing can be claimed self-evident'. By turns uncanny, dark, poignant and uproarious, What Planet sets the individuality of perception and the inventiveness of memory against fixed certainties, probing chaos and madness in a post-truth world. Rhythmically propulsive and dizzyingly inter-connective, Gamble's new work is as formally adventurous as it is conceptually distinctive, stretching syntax, jumbling the solid and spectral, crossing borders of time and space. Yet this is also a collection pained by loss, and passionate to connect with a life's 'vacated' corners - even if the act of remembering is as much creation as recovery. The poems in Miriam Gamble's third collection journey surreally through scenes and landscapes at once of the world and of the mind. By turns uncanny, dark, poignant and uproarious, What Planet sets the individuality of perception and the inventiveness of memory against fixed certainties, probing chaos and madness in a post-truth world. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781780374840
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