This volume brings together some of the papers presented by leading scholars, artists and psychoanalysts at an annual Creativity Seminar organised by the Erikson Institute of the Austen Riggs Center. Looking at creativity through a psychoanalytic lens - and very importantly, vice versa - the authors examine great works, such as Nathaniel Hawthorne's The Scarlet Letter, Mahler's Eighth Symphony, and William Gibson's The Miracle Worker; as well as great artists, such as Van Gogh and Lennon and McCartney, for what we might learn about the creative process itself. Deepening this conversation are a number of clinical studies and other reflections on the creative process - in sickness and in health, so to speak. A central theme is that of "deep play", the level at which the artist may be unconsciously playing out, on behalf of all of us, the deepest dynamics of human emotion in order that we may leave the encounter not only emotionally spent, but profoundly informed as well. The central questions of this book are how do we understand the creative process, what might psychoanalysis contribute to that understanding, and what opens up within and for psychoanalysis by engaging with the subject of creativity?
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
M. Gerard Fromm, PhD, directed the Erikson Institute for Education and Research at the Austen Riggs Center for many years, where he is currently Senior Consultant. He teaches at a number of psychoanalytic institutes and is on the faculties of Harvard Medical School and the Yale Child Study Center. He is the editor of 'The Facilitating Environment: Clinical Applications of Winnicott's Theory' (with Bruce L. Smith, PhD) and 'Lost in Transmission: Studies of Trauma across the Generations'. His most recent book, 'Taking the Transference, Reaching toward Dreams', reports on his clinical work at the Center.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Broschur. Etat : Sehr gut. 288 Pages. This volume brings together some of the papers presented by leading scholars, artists and psychoanalysts at an annual Creativity Seminar organised by the Erikson Institute of the Austen Riggs Center. Looking at creativity through a psychoanalytic lens - and very importantly, vice versa - the authors examine great works, such as Nathaniel Hawthorne's The Scarlet Letter, Mahler's Eighth Symphony, and William Gibson's The Miracle Worker; as well as great artists, such as Van Gogh and Lennon and McCartney, for what we might learn about the creative process itself. Deepening this conversation are a number of clinical studies and other reflections on the creative process - in sickness and in health, so to speak. A central theme is that of "deep play", the level at which the artist may be unconsciously playing out, on behalf of all of us, the deepest dynamics of human emotion in order that we may leave the encounter not only emotionally spent, but profoundly informed as well. -- Contents: INTRODUCTION TO CHAPTER ONE. On (not) being able to paint: the 2003 Creativity Seminar -- CHAPTER ONE. Christopher Bollas: Creativity and psychoanalysis -- INTRODUCTION TO CHAPTERS TWO AND THREE. The Scarlet Letter-the artist and analyst as outsiders: the 2004 Creativity Seminar -- CHAPTER TWO. Carol Gilligan: A moonlight visibility: turning The Scarlet Letter into a play -- CHAPTER THREE. M. Gerard Fromm: Dimmesdale's ailment, Hawthorne's insight -- INTRODUCTION TO CHAPTER FOUR. Mahler, Freud, and the symphony of a thousand: the 2005 Creativity Seminar -- CHAPTER FOUR. John Muller: Sublimation and das Ding in Mahler's Symphony No. 8 -- INTRODUCTION TO CHAPTER FIVE. They play the thing: the 2006 creativity Seminar -- CHAPTER FIVE. J. Christopher Fowler: Stepping on to the transference stage: from actualised unconscious trauma to therapeutic play -- INTRODUCTION TO CHAPTER SIX. Creativity at the extremes: the 2007 Creativity Seminar -- CHAPTER SIX. Marilyn Charles and Karen Telis: Pattern as inspiration and mode of communication in the works of Van Gogh -- INTRODUCTION TO CHAPTER SEVEN. Chaos is come again-creativity, chaos and change: the 2008 Creativity Seminar -- CHAPTER SEVEN. M. Gerard Fromm: Photography as transitional functioning -- INTRODUCTION TO CHAPTERS EIGHT AND NINE.Miracle workers-transformation through creativity: the 2009 Creativity Seminar -- CHAPTER EIGHT. Ellen Handler Spitz: To teach and to treat: meditations on The Miracle Worker -- CHAPTER NINE. M. Gerard Fromm: Unconscious creative activity and the restoration of reverie -- INTRODUCTION TO CHAPTER TEN. Creative collaborations: the 2010 Creativity Seminar -- CHAPTER TEN. Joshua Wolf Shenk: Two of us: inside the Lennon-McCartney connection -- INTRODUCTION TO CHAPTER ELEVEN. Finding voice, lifting voices-creativity and oppression: the 2011 Creativity Seminar -- CHAPTER ELEVEN. Rochleigh Z. Wholfe: Oppression, healing and Delia's story -- INTRODUCTION TO CHAPTER TWELVE. The brightening glance-creativity and childhood: the 2012 Creativity Seminar -- CHAPTER TWELVE. Ellen Handler Spitz: Snapshots of childhood creativity in science, music, and art: Richard Feynman, Clara Schumann, and René Magritte -- AFTERWORD: Tell me a story-creativity and storytelling: the 2013 Creativity Seminar. ISBN 9781780491585 Sprache: Englisch Gewicht in Gramm: 550. N° de réf. du vendeur 1180243
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