The concept of a Northern European ‘Renaissance’ in the arts, in thought, and in more general culture north of the Alps often evokes the idea of a cultural transplant which was not indigenous to, or rooted in, the society from which it emerged. Classic definitions of the European ‘Renaissance’ during the 14th, 15th and 16th centuries have often seen it as an Italian import of, for example, humanism and classical learning into the Gothic North. There were certainly differences between North and South which have to be addressed, not least in the development of the visual arts. In this book, Malcolm Vale argues for a Northern Renaissance which, while cognisant of Italian developments, had a life of its own, expressed through such innovations as a rediscovery of pictorial space and representational realism, and which displayed strong continuities with the indigenous cultures of northern Europe. But it also contributed new movements and tendencies in thought, the visual arts, literature, religious beliefs and the dissemination of knowledge which often stemmed from, and built upon, those continuities. A Short History of the Renaissance in Northern Europe – while in no way ignoring or diminishing the importance of the Greek and Roman legacy – seeks other sources, and different uses of classical antiquity, for a rather different kind of ‘Renaissance’ in the North.
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Malcolm Vale is a Fellow and tutor of History at St John's College, Oxford. He specialises in English and European history in the later middle ages, especially Anglo-French and Anglo-Nederlandish relations. His many publications include The Princely Court: Medieval Courts and Culture in North-West Europe, 1270-1380.
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Paperback. Etat : New. The concept of a Northern European 'Renaissance' in the arts, in thought, and in more general culture north of the Alps often evokes the idea of a cultural transplant which was not indigenous to, or rooted in, the society from which it emerged. Classic definitions of the European 'Renaissance' during the 14th, 15th and 16th centuries have often seen it as an Italian import of, for example, humanism and classical learning into the Gothic North. There were certainly differences between North and South which have to be addressed, not least in the development of the visual arts. In this book, Malcolm Vale argues for a Northern Renaissance which, while cognisant of Italian developments, had a life of its own, expressed through such innovations as a rediscovery of pictorial space and representational realism, and which displayed strong continuities with the indigenous cultures of northern Europe. But it also contributed new movements and tendencies in thought, the visual arts, literature, religious beliefs and the dissemination of knowledge which often stemmed from, and built upon, those continuities. A Short History of the Renaissance in Northern Europe - while in no way ignoring or diminishing the importance of the Greek and Roman legacy - seeks other sources, and different uses of classical antiquity, for a rather different kind of 'Renaissance' in the North. N° de réf. du vendeur LU-9781780763859
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Paperback. Etat : new. Paperback. The concept of a Renaissance in the arts, in thought, and in more general culture North of the Alps often evokes the idea of a cultural transplant which was not indigenous to, or rooted in, the society from which it emerged. Classic definitions of the European Renaissance during the 14th, 15th and 16th centuries have seen it as what was in effect an Italian import into the Gothic North. Yet there were certainly differences, divergences and dichotomies between North and South which have to be addressed. Here, Malcolm Vale argues for a Northern Renaissance which, while cognisant of Italian developments, displayed strong continuities with the indigenous cultures of northern Europe. But it also contributed novelties and innovations which often tended to stem from, and build upon, those continuities. A Short History of the Renaissance in Northern Europe while in no way ignoring or diminishing the importance of the Hellenic and Roman legacy seeks other sources, and different uses of classical antiquity, for a rather different kind of Renaissance, if such it was, in the North. The idea of a rebirth in the art and civilization of the western world during the fifteenth and sixteenth centuries has proved an enduring one. Expertly traversing religion, art, history and culture, the author suggests that the region that produced Luther and Durer owed as much to its own past heritage as to new ideas from Italy. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781780763859
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Etat : New. The idea of a rebirth in the art and civilization of the western world during the fifteenth and sixteenth centuries has proved an enduring one. Expertly traversing religion, art, history and culture, the author suggests that the region that produced Luther and Durer owed as much to its own past heritage as to new ideas from Italy. Series: I.B. Tauris Short Histories. Num Pages: 288 pages, 50 integrated bw. BIC Classification: 1DN; 3H; 3JB; ACND; HBJD; HBLH; HBTB. Category: (G) General (US: Trade). Dimension: 216 x 134 x 25. Weight in Grams: 454. . 2015. Reprint. Paperback. . . . . N° de réf. du vendeur V9781780763859
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Etat : New. The idea of a rebirth in the art and civilization of the western world during the fifteenth and sixteenth centuries has proved an enduring one. Expertly traversing religion, art, history and culture, the author suggests that the region that produced Luther and Durer owed as much to its own past heritage as to new ideas from Italy. Series: I.B. Tauris Short Histories. Num Pages: 288 pages, 50 integrated bw. BIC Classification: 1DN; 3H; 3JB; ACND; HBJD; HBLH; HBTB. Category: (G) General (US: Trade). Dimension: 216 x 134 x 25. Weight in Grams: 454. . 2015. Reprint. Paperback. . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9781780763859
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