During the 1970s, adding 'women's' to 'art' was a powerfully political act. Fuelled by the momentum of the women's liberation movement, artists, art historians, critics and curators began to explore the women's art practice, as distinct from men's, and to challenge its invisibility in the established art world and historical canon. In the 1980s, they continued to creatively critique representations of female sexuality, and in the 1990s, some began to embrace the 'post-feminist' idea of difference and the performance of gender. Throughout this pivotal period, the MAKE magazine offered a unique platform for academics, artists and arts professionals to critically engage with women's art. Though the need to talk about 'women's art' seemed to lose some of its political urgency in the early 2000s, many artists, art historians and art students are now once again explicitly engaging with feminist art histories and art practices as possible models and precedents for resistance. Now is the time to revisit the past, in order to understand and galvanise the energy of the present.Gathering together the work of eminent writers such as Griselda Pollock and Marina Warner, on celebrated artists such as Helen Chadwick, Sarah Lucas and The Guerrilla Girls, this unparalleled anthology of material from the MAKE archive allows us to trace the lineages and links between then and now.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Maria Walsh is Reader in Artists' Moving Image at Chelsea College of Arts, University
of the Arts London, UK. Her research on artists' moving image and critical theory has been published in the peer-reviewed journals Rhizomes, Angelaki, Screen, Refractory, film-philosophy, NECSUS and MIRAJ.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Anybook.com, Lincoln, Royaume-Uni
Etat : Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:9781780767581. N° de réf. du vendeur 5569898
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Vendeur : Brook Bookstore On Demand, Napoli, NA, Italie
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Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Paperback. Etat : New. During the 1970s, adding 'women's' to 'art' was a powerfully political act. Fuelled by the momentum of the women's liberation movement, artists, art historians, critics and curators began to explore the women's art practice, as distinct from men's, and to challenge its invisibility in the established art world and historical canon. In the 1980s, they continued to creatively critique representations of female sexuality, and in the 1990s, some began to embrace the 'post-feminist' idea of difference and the performance of gender. Throughout this pivotal period, the MAKE magazine offered a unique platform for academics, artists and arts professionals to critically engage with women's art. Though the need to talk about 'women's art' seemed to lose some of its political urgency in the early 2000s, many artists, art historians and art students are now once again explicitly engaging with feminist art histories and art practices as possible models and precedents for resistance. Now is the time to revisit the past, in order to understand and galvanise the energy of the present.Gathering together the work of eminent writers such as Griselda Pollock and Marina Warner, on celebrated artists such as Helen Chadwick, Sarah Lucas and The Guerrilla Girls, this unparalleled anthology of material from the MAKE archive allows us to trace the lineages and links between then and now. N° de réf. du vendeur LU-9781780767581
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Vendeur : PBShop.store US, Wood Dale, IL, Etats-Unis
PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur HU-9781780767581
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Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. Editor(s): Walsh, Maria; Throp, Mo. Series: International Library of Modern and Contemporary Art. Num Pages: 256 pages. BIC Classification: AC; JFSJ1. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 246 x 172 x 26. Weight in Grams: 520. . 2015. Paperback. . . . . N° de réf. du vendeur V9781780767581
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Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur HU-9781780767581
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Vendeur : Majestic Books, Hounslow, Royaume-Uni
Etat : New. 256. N° de réf. du vendeur 373773086
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Vendeur : Revaluation Books, Exeter, Royaume-Uni
Paperback. Etat : Brand New. 262 pages. 9.50x6.75x1.00 inches. In Stock. N° de réf. du vendeur __1780767587
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Vendeur : Chiron Media, Wallingford, Royaume-Uni
Paperback. Etat : New. N° de réf. du vendeur 6666-HCE-9781780767581
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Vendeur : Kennys Bookstore, Olney, MD, Etats-Unis
Etat : New. Editor(s): Walsh, Maria; Throp, Mo. Series: International Library of Modern and Contemporary Art. Num Pages: 256 pages. BIC Classification: AC; JFSJ1. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 246 x 172 x 26. Weight in Grams: 520. . 2015. Paperback. . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9781780767581
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