'The Anthem Handbook of Screen Theory' offers a unique and progressive survey of screen theory and how it can be applied to a range of moving-image texts and sociocultural contexts. Focusing on the 'handbook' angle, the book includes only original essays from two primary sources: established authors in the field and new scholars on the cutting edge of helping screen theory evolve for the twenty-first-century vistas of new media, social shifts and geopolitical change. The main purpose of this method is to guarantee a strong foundation and clarity for the canon of film theory, while also situating it as part of a larger genealogy of art theories and critical thought, and to reveal the relevance and utility of film theories and concepts to a wide array of expressive practices and specified arguments.
'The Anthem Handbook of Screen Theory' seeks to avoid the typical republishing of seminal film theory texts and, instead, to provide progressive chapters on major topics that offer a survey summary of the history of that subject in film theory, including references from major texts; put forward an accessible and clear illustration of how the theory can be applied to media texts and industries; and create a vision for the possible future horizon of that topic. It is at once inclusive, applicable and a chance for writers to innovate and really play with where they think the field is, can, and should be heading.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Hunter Vaughan is associate professor of cinema studies at Oakland University, USA. His work focuses on environmental media, screen theory and philosophy, and issues of identity and ethics in visual culture. He is the author of Where Film Meets Philosophy (2013), Screen Life and Identity: A Guide to Film and Media Studies (with Meryl Shriver-Rice, 2017) and Hollywood's Dirtiest Secret (forthcoming).
Tom Conley is the Lowell Professor in Visual and Environmental Studies and Romance Languages at Harvard University, USA. He is the author of Film Hieroglyphs (1991/2006) and Cartographic Cinema (2007), and co-editor of the Wylie-Blackwell Companion to Godard (2014).
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Etat : Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,800grams, ISBN:9781783088232. N° de réf. du vendeur 3723305
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Vendeur : Revaluation Books, Exeter, Royaume-Uni
Hardcover. Etat : Brand New. 250 pages. 9.01x6.02x1.02 inches. In Stock. This item is printed on demand. N° de réf. du vendeur __1783088230
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Vendeur : Rarewaves USA, HEBRON, KY, Etats-Unis
Hardback. Etat : New. The Anthem Handbook of Screen Theory offers a unique and progressive survey of screen theory and how it can be applied to a range of moving-image texts and sociocultural contexts. Focusing on the "handbook" angle, the book includes only original essays from established authors in the field and new scholars on the cutting edge of helping screen theory evolve for the twenty-first-century vistas of new media, social shifts and geopolitical change. This method guarantees a strong foundation and clarity for the canon of film theory, while also situating it as part of a larger genealogy of art theories and critical thought, and reveals the relevance and utility of film theories and concepts to a wide array of expressive practices and specified arguments. The Anthem Handbook of Screen Theory is at once inclusive, applicable and a chance for writers to innovate and really play with where they think the field is, can and should be heading. N° de réf. du vendeur LU-9781783088232
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Vendeur : Rarewaves USA United, HEBRON, KY, Etats-Unis
Hardback. Etat : New. The Anthem Handbook of Screen Theory offers a unique and progressive survey of screen theory and how it can be applied to a range of moving-image texts and sociocultural contexts. Focusing on the "handbook" angle, the book includes only original essays from established authors in the field and new scholars on the cutting edge of helping screen theory evolve for the twenty-first-century vistas of new media, social shifts and geopolitical change. This method guarantees a strong foundation and clarity for the canon of film theory, while also situating it as part of a larger genealogy of art theories and critical thought, and reveals the relevance and utility of film theories and concepts to a wide array of expressive practices and specified arguments. The Anthem Handbook of Screen Theory is at once inclusive, applicable and a chance for writers to innovate and really play with where they think the field is, can and should be heading. N° de réf. du vendeur LU-9781783088232
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Vendeur : moluna, Greven, Allemagne
Gebunden. Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Über den AutorHunter Vaughan is associate professor of cinema studies at Oakland University, USA. His work focuses on environmental media, screen theory and philosophy, and issues of identity and ethics in visual culture. He is t. N° de réf. du vendeur 448315700
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Vendeur : Revaluation Books, Exeter, Royaume-Uni
Hardcover. Etat : Brand New. 250 pages. 9.01x6.02x1.02 inches. In Stock. N° de réf. du vendeur x-1783088230
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Vendeur : preigu, Osnabrück, Allemagne
Buch. Etat : Neu. The Anthem Handbook of Screen Theory | Hunter Vaughan (u. a.) | Buch | Anthem Handbooks | Gebunden | Englisch | 2018 | Anthem Press | EAN 9781783088232 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand. N° de réf. du vendeur 114146186
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