Werner Schwab's final work, also known as a theatre-extinction comedy, is a brutal, irreverent and bizarrely comical piece.
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Meredith Oakes' first play, The Neighbour, was produced at the Royal National Theatre, London in 1992, and is published by Oberon Books. The Editing Process was first produced by the English Stage Company at the Royal Court Theatre, London, in 1994. Her translation include The New Menoza by Lenz, Horvath's Italian Night, and Bernhard's Elizabeth II. Opera Libretti include The Triumph of Beauty and Deceit and Solid Assets.
Diana Damian Martin is an artist and researcher, currently Senior Lecturer in Performance Arts at the Royal Central School of Speech and Drama, UK.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback or Softback. Etat : New. Dead at Last, at Last No More Air. Book. N° de réf. du vendeur BBS-9781783191451
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Paperback. Etat : new. Paperback. Foreword by Diana Damian MartinWerner Schwabs final work, also known as a theatre-extinction comedy, is a brutal, irreverent and bizarrely comical piece about what happens when an emerging stage production is sabotaged by outsiders. Following a dispute with the cast, the director replaces all the actors with pensioners from a nearby home for the elderly. At first compliant and polite, the forgotten and dispossessed gradually start to question the directors authority, leading to a coup detat where the theatres cleaning lady is selected as the groups leader. Not everybody survives the new order.Werner Schwab was only thirty-five years old when he was found dead in his room following a New Years Eve drinking spree in 1994. He was, at the time, the undisputed star of German speaking theatre who effortlessly rose to fame for his unique talent with language and his darkly humorous, confrontational narratives. In only four years, he completed fifteen plays with Dead at Last, At Last No More Air (Endlich tot, endlich keine luftmehr) being his last. The English-language premiere from one of Europe's stars of speaking theatre - great material for amateur groups seeking something original This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781783191451
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Paperback. Etat : New. Foreword by Diana Damian MartinWerner Schwab's final work, also known as a theatre-extinction comedy, is a brutal, irreverent and bizarrely comical piece about what happens when an emerging stage production is sabotaged by outsiders. Following a dispute with the cast, the director replaces all the actors with pensioners from a nearby home for the elderly. At first compliant and polite, the 'forgotten and dispossessed' gradually start to question the director's authority, leading to a 'coup d'état' where the theatre's cleaning lady is selected as the group's leader. Not everybody survives the new order.Werner Schwab was only thirty-five years old when he was found dead in his room following a New Year's Eve drinking spree in 1994. He was, at the time, the undisputed star of German speaking theatre who effortlessly rose to fame for his unique talent with language and his darkly humorous, confrontational narratives. In only four years, he completed fifteen plays with Dead at Last, At Last No More Air (Endlich tot, endlich keine luftmehr) being his last. N° de réf. du vendeur LU-9781783191451
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