This book is a lucid account of the material significance of the art object incorporated into fiction film. Felleman examines the historical, political and personal realities that situate the art works and offers an account of how they operate as powerful players within films. The book consists of a series of interconnected case studies of movies.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
SUSAN FELLEMAN is Professor of Art History and Film and Media Studies at the University of South Carolina.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : New. Real Objects in Unreal Situations is a lucid account of a much-neglected subject in art and cinema studies: the material significance of the art object incorporated into the fiction film. By examining the historical, political and personal realities that situate the artworks, Susan Felleman offers an incisive account of how they operate not as mere objects but as powerful players within the films, thereby exceeding the narrative function of props, copies, pastiches or reproductions. The book consists of a series of interconnected case studies of movies, including The Trouble with Harry, An Unmarried Woman, The Player and Pride and Prejudice, among others, ultimately showing that when real art works enter into fiction films, they often embody themes and discourses in ways that other objects cannot. N° de réf. du vendeur LU-9781783202508
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Paperback. Etat : new. Paperback. Real Objects in Unreal Situations is a lucid account of a much neglected subject in art and cinema studies: the material significance of the art object incorporated into the fiction film. By examining the historical, political, and personal realities that situate the art works, Susan Felleman offers an incisive account of how they operate not as objects but as powerful players within the films, thereby exceeding the narrative function of mere props, copies, pastiches, or reproductions. The book consists of a series of interconnected case studies of movies, including Pride & Prejudice, The Trouble with Harry, and The Player, ultimately showing that when real art works enter into fiction films, they embody themes and discourses in a way that other objects often cannot. This book is a lucid account of the material significance of the art object incorporated into fiction film. Felleman examines the historical, political and personal realities that situate the art works and offers an account of how they operate as powerful players within films. The book consists of a series of interconnected case studies of movies. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781783202508
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