<p style="background: white; margin: 0in 0in 10.5pt 0in;"><span class="a-text-bold"><span lang="EN-GB" style="font-size: 10.5pt; font-family: 'Arial',sans-serif; color: #0f1111;">___</span></span>
<p style="background: white; margin: 0in 0in 10.5pt 0in;"><span class="a-text-bold"><span lang="EN-GB" style="font-size: 10.5pt; font-family: 'Arial',sans-serif; color: #0f1111;">An innocent woman sent to the Gulag. A passion that gave her the will to survive.</span></span> <p style="background: white; margin: 0in 0in 10.5pt 0in;"><span class="a-text-bold"><span lang="EN-GB" style="font-size: 10.5pt; font-family: 'Arial',sans-serif; color: #0f1111;">‘Shattering, cinematic and brave’ Simon Morrison, author of Bolshoi Confidential</span></span> <p style="background: white; margin: 0in 0in 10.5pt 0in;"><span lang="EN-GB" style="font-size: 10.5pt; font-family: 'Arial',sans-serif; color: #0f1111;">___</span> <p style="background: white; margin: 0in 0in 10.5pt 0in;"><span lang="EN-GB" style="font-size: 10.5pt; font-family: 'Arial',sans-serif; color: #0f1111;">Nina Anisimova was one of Russia’s most renowned ballerinas and one of the first Soviet female choreographers. Yet few knew that her exemplary career concealed a dark secret.</span> <p style="background: white; margin: 0in 0in 10.5pt 0in;"><span lang="EN-GB" style="font-size: 10.5pt; font-family: 'Arial',sans-serif; color: #0f1111;">In 1938, at the height of Stalin’s Great Terror, Nina was arrested by the secret police, accused of being a Nazi spy and sentenced to forced labour in a camp in Kazakhstan. Trapped without hope – and without winter clothes in temperatures of minus 40 degrees – her art was her salvation, giving her a reason to fight for her life.</span> <p style="background: white; margin: 0in 0in 10.5pt 0in;"><span lang="EN-GB" style="font-size: 10.5pt; font-family: 'Arial',sans-serif; color: #0f1111;">As Nina struggled to survive in the Gulag, her husband fought for her release in Leningrad. Against all odds, she was ultimately freed and astonishingly managed to return to her former life, just as war broke out. Despite wartime deprivation and the suffocating grip of Stalin’s totalitarian state, Nina’s irrepressible determination set her on the path to become an icon of the Kirov Ballet.</span> <p style="background: white; margin: 0in 0in 10.5pt 0in;"><span class="a-text-bold"><span lang="EN-GB" style="font-size: 10.5pt; font-family: 'Arial',sans-serif; color: #0f1111;">A remarkable true story of suffering and injustice, of courage, resilience and triumph.</span></span> <p style="background: white; margin: 0in 0in 10.5pt 0in;"><span class="a-text-bold"><span lang="EN-GB" style="font-size: 10.5pt; font-family: 'Arial',sans-serif; color: #0f1111;">___</span></span> <p style="background: white; margin: 0in 0in 10.5pt 0in;"><span class="a-text-bold"><span lang="EN-GB" style="font-size: 10.5pt; font-family: 'Arial',sans-serif; color: #0f1111;">‘Nina Anisimova’s story is extraordinary – heroic and harrowing in equal measure, a snapshot of the best and worst of Stalin’s Russia – and Christina Ezrahi does it vivid, gripping justice.’</span></span><span lang="EN-GB" style="font-size: 10.5pt; font-family: 'Arial',sans-serif; color: #0f1111;"> Judith Mackrell, author of <span class="a-text-italic">The Unfinished Palazzo</span></span> <p style="background: white; margin: 0in 0in 10.5pt 0in;"><span class="a-text-bold"><span lang="EN-GB" style="font-size: 10.5pt; font-family: 'Arial',sans-serif; color: #0f1111;">‘Christina Ezrahi vividly charts this brutal and uplifting story, bringing alive an extraordinary resourcefulness and determination to survive.’</span></span><span lang="EN-GB" style="font-size: 10.5pt; font-family: 'Arial',sans-serif; color: #0f1111;"> Helen Rappaport, author of <span class="a-text-italic">The Race to Save the Romanovs</span></span> <p style="background: white; margin: 0in 0in 10.5pt 0in;"><span class="a-text-bold"><span lang="EN-GB" style="font-size: 10.5pt; font-family: 'Arial',sans-serif; color: #0f1111;">‘Christina Ezrahi has uncovered a remarkable, untold episode in Soviet ballet history, which she brings to life through her customary rigorous research, clarity of expression and elegance of prose.’</span></span><span lang="EN-GB" style="font-size: 10.5pt; font-family: 'Arial',sans-serif; color: #0f1111;"> Baroness Deborah Bull</span> <p style="background: white; margin: 0in 0in 10.5pt 0in;"><span class="a-text-bold"><span lang="EN-GB" style="font-size: 10.5pt; font-family: 'Arial',sans-serif; color: #0f1111;">‘An inspiring tale of survival against the odds. Ezrahi's diligent scholarship casts much-needed light on ballet history's darkest chapter.’</span></span><span lang="EN-GB" style="font-size: 10.5pt; font-family: 'Arial',sans-serif; color: #0f1111;"> Luke Jennings, dance critic and author of <span class="a-text-italic">Killing Eve</span></span>Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Christina Ezrahi is an award-winning historian of Soviet cultural politics and Russian ballet. Before undertaking her doctoral studies at University College London, she studied International Relations at the universities of Princeton and Oxford, and worked in Moscow for the United Nations. Her first book, Swans of the Kremlin: Ballet and Power in Soviet Russia (University of Pittsburgh Press) was awarded the 2017 prize for Best Dance Book published in France. Christina appears in the media as an expert on the relationship between Russian politics and ballet and has recently acted as historical advisor to Ralph Fiennes on a film about Rudolf Nureyev. Born in Munich, Christina lives in Berlin with her husband and two children, and is a fellow of the Royal Historical Society. She is also a trained classical dancer.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : new. Paperback. Nina Anisimova was born in 1909 in imperial St Petersburg. One of the most renowned character dancers and choreographers of the twentieth century, she won her way into the hearts of her audience over many decades. Yet few knew that her exemplary career concealed a dark secret. In 1938, at the height of Stalins Great Terror, Nina vanished. Only a handful of people knew that she had been arrested by the secret police, accused of being a Nazi spy and sentenced to forced labour in a camp in Kazakhstan. Trapped thousands of miles from home and surrounded by the horrors of the Karlag camp without winter clothes in temperatures of minus 40 degrees her art was her salvation, giving her a reason to fight for her life.Dancing for Stalin is a remarkable true story of suffering and injustice, of courage, resilience and ultimately triumph. The true story of one couples fight for survival in Stalins Russia: a famous ballerina, sent to the Gulag, and her husband, who found a way to save her against all odds. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781783966981
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Paperback. Etat : New. ___An innocent woman sent to the Gulag. A passion that gave her the will to survive.'Shattering, cinematic and brave' Simon Morrison, author of Bolshoi Confidential___Nina Anisimova was one of Russia's most intriguing ballerinas and one of the first Soviet female choreographers. Yet few knew that her exemplary career concealed a dark secret.In 1938, at the height of Stalin's Great Terror, Nina was arrested by the secret police, accused of being a Nazi spy and sentenced to forced labour in a camp in Kazakhstan. Trapped without hope - and without winter clothes in temperatures of minus 40 degrees - her art was her salvation, giving her a reason to fight for her life.As Nina struggled to survive in the Gulag, her husband fought for her release in Leningrad. Against all odds, she was ultimately freed and astonishingly managed to return to her former life, just as war broke out. Despite wartime deprivation and the suffocating grip of Stalin's totalitarian state, Nina's irrepressible determination set her on the path to become an icon of the Kirov Ballet.A remarkable true story of suffering and injustice, of courage, resilience and triumph.___'Nina Anisimova's story is extraordinary - heroic and harrowing in equal measure, a snapshot of the best and worst of Stalin's Russia - and Christina Ezrahi does it vivid, gripping justice.' Judith Mackrell, author of The Unfinished Palazzo'Christina Ezrahi vividly charts this brutal and uplifting story, bringing alive an extraordinary resourcefulness and determination to survive.' Helen Rappaport, author of The Race to Save the Romanovs'Christina Ezrahi has uncovered a remarkable, untold episode in Soviet ballet history, which she brings to life through her customary rigorous research, clarity of expression and elegance of prose.' Baroness Deborah Bull 'An inspiring tale of survival against the odds. Ezrahi's diligent scholarship casts much-needed light on ballet history's darkest chapter.' Luke Jennings, dance critic and author of Killing Eve. N° de réf. du vendeur LU-9781783966981
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