*
‘A winding and often surprising tour of the writing spaces associated with the authors of the books we love.’ The Wall Street JournalWhat is it that so fascinates us about the places where writers live and create?Why does a remote cabin, ramshackle shed or library garret, strewn with papers and piled with books, so capture our imagination?___The rooms of certain writers are mythologised almost as much as the works themselves: the Brontës’ study in the parsonage; Virginia Woolf’s garden room; Sigmund Freud’s study, with its famous couch. They are preserved in writers’ houses or recreated in museums, pictured and described in newspaper columns and on Instagram.And yet writers, old and new, have worked in all kinds of places: in bedsits and boarding houses, at libraries, in bathrooms and while on the move. From Emily Dickinson’s hidden writing pocket to Lauren Elkin typing on her phone on the bus, Maya Angelou in hotel rooms and Ernest Hemingway in Parisian cafés to the founders of Women of Color Press around their kitchen tables, Katie da Cunha Lewin dismantles the familiar furniture of the writer’s room and opens it up.The Writer's Room takes us on a fascinating journey through the hidden worlds that shape the books we love. It is the perfect gift for the reader in your life.__‘If you have ever felt preoccupied with visiting, snooping and uncovering the desks, shelves and habits of the greats, this book was made for you.’ Penny Wincer, author of Home Matters‘A reverie - part pilgrimage, part personal reflection - on the places where writers find the right words.’ Clare Hunter, author of Threads of LifeREADER REVIEWS:‘Literary, sharp, and utterly addictive’‘Thoroughly researched, thoughtful, and full of detail.’‘A beautiful read from start to finish’‘A book about valuing and protecting the act of writing, wherever it takes place.’Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Katie da Cunha Lewin is a writer based in London, currently lecturing in 20th and 21st-century literature at Coventry University. She holds a PhD in contemporary literature and is the co-editor of Don DeLillo: Contemporary Critical Perspectives. Her writing has appeared in the Times Literary Supplement, The White Review, Irish Times, Los Angeles Review of Books, among other places. She loves exploring issues of writing and the writer in the 21st century.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardback. Etat : New. *'A winding and often surprising tour of the writing spaces associated with the authors of the books we love.' The Wall Street JournalWhat is it that so fascinates us about the places where writers live and create? Why does a remote cabin, ramshackle shed or library garret, strewn with papers and piled with books, so capture our imagination?___The rooms of certain writers are mythologised almost as much as the works themselves: the Brontës' study in the parsonage; Virginia Woolf's garden room; Sigmund Freud's study, with its famous couch. They are preserved in writers' houses or recreated in museums, pictured and described in newspaper columns and on Instagram.And yet writers, old and new, have worked in all kinds of places: in bedsits and boarding houses, at libraries, in bathrooms and while on the move. From Emily Dickinson's hidden writing pocket to Lauren Elkin typing on her phone on the bus, Maya Angelou in hotel rooms and Ernest Hemingway in Parisian cafés to the founders of Women of Color Press around their kitchen tables, Katie da Cunha Lewin dismantles the familiar furniture of the writer's room and opens it up.The Writer's Room takes us on a fascinating journey through the hidden worlds that shape the books we love. It is the perfect gift for the reader in your life.__'If you have ever felt preoccupied with visiting, snooping and uncovering the desks, shelves and habits of the greats, this book was made for you.' Penny Wincer, author of Home Matters 'A reverie - part pilgrimage, part personal reflection - on the places where writers find the right words.' Clare Hunter, author of Threads of LifeREADER REVIEWS:'Literary, sharp, and utterly addictive''Thoroughly researched, thoughtful, and full of detail.' 'A beautiful read from start to finish''A book about valuing and protecting the act of writing, wherever it takes place.'. N° de réf. du vendeur LU-9781783969098
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Hardcover. Etat : new. Hardcover. What is it that so fascinates us about the spaces where writers work? Why does a remote cabin, ramshackle shed or library garret, strewn with papers and piled with books, so capture our imagination? The rooms of certain writers are mythologized almost as much as the works themselves: Virginia Woolfs garden room at Monks House; the Brontes study at Haworth; Sigmund Freuds study, with its famous couch. They are preserved in writers houses or recreated in museums, pictured and described in newspaper columns and on Instagram, seemingly standing in for the labour of writing itself. And yet writers, old and new, have worked in all kinds of places and circumstances: in hotels, bedsits and boarding houses, at libraries and while on the move. From Prousts bedroom to Joan Didions portable typewriter, Maya Angelous hotel rooms to Ernest Hemingway in Parisian cafes and Michaela Coels Arabella with post-it notes in her rented room, Katie da Cunha Lewin dismantles the familiar furniture of the writers room and opens it up. Blending cultural critique with the personal and historical, Katie da Cunha Lewin takes us on a fascinating journey through the hidden worlds that shape the books we love. What is it that so fascinates us about the places writers work and live? Discover the hidden worlds that shape the books we love. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781783969098
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