Drawing has been growing in recognition and stature within contemporary fine art since the mid-1970s. Simultaneously, feminist activism has been widespread, leading to the increased prominence of women artists, scholars, critics and curators and the wide acknowledgement of the crucial role played by gender and sexual difference in constituting the subject. Drawing Difference argues that these developments did not occur in parallel simply by coincidence. Rather, the intimate interplay between drawing and feminism is best characterised as allotropic a term originating in chemistry that describes a single pure element which nevertheless assumes varied physical structures, denoting the fundamental affinities which underlie apparently differing material forms. The book takes as its starting point three works from the 1970s by Annette Messager, Dorothea Rockburne and Carolee Schneeman, that are used to exemplify critical developments in feminist art history and key moments for drawing as a means of expression.
Throughout the chapters, these works are further explored in relation to the contemporary drawing practices of Marco Maggi, Sian Bowen, Susan Hauptmann, Cornelia Parker, Christoph Fink and Toba Kheedori. Their works are shown to be (re)iterative sites where mark-making differs with each appearance yet retains certain essential features. Dividing its analysis into the themes Approaching, Tropes and Coinciding, the book analyses how both drawing and feminist discourse emphasise dialogue, matter and openness. It demonstrates how sexual difference, subjectivity and drawing are connected at an elemental level and thus how drawing has played a vital role in the articulation of the material and conceptual dynamics of feminism."
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Marsha Meskimmon is Professor of Modern and Contemporary Art History & Theory at Loughborough University, UK.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Bill & Ben Books, Faringdon, Royaume-Uni
Hardback. Etat : New. Drawing has been growing in recognition and stature within contemporary fine art since the mid-1970s. Simultaneously, feminist activism has been widespread, leading to the increased prominence of women artists, scholars, critics and curators and the wide acknowledgement of the crucial role played by gender and sexual difference in constituting the subject. Drawing Difference argues that these developments did not occur in parallel simply by coincidence. Rather, the intimate interplay between drawing and feminism is best characterised as allotropic a term originating in chemistry that describes a single pure element which nevertheless assumes varied physical structures, denoting the fundamental affinities which underlie apparently differing material forms. The book takes as its starting point three works from the 1970s by Annette Messager, Dorothea Rockburne and Carolee Schneeman, that are used to exemplify critical developments in feminist art history and key moments for drawing as a means of expression. Throughout the chapters, these works are further explored in relation to the contemporary drawing practices of Marco Maggi, Sian Bowen, Susan Hauptmann, Cornelia Parker, Christoph Fink and Toba Kheedori. Their works are shown to be (re)iterative sites where mark-making differs with each appearance yet retains certain essential features. Dividing its analysis into the themes Approaching, Tropes and Coinciding, the book analyses how both drawing and feminist discourse emphasise dialogue, matter and openness. It demonstrates how sexual difference, subjectivity and drawing are connected at an elemental level and thus how drawing has played a vital role in the articulation of the material and conceptual dynamics of feminism.". N° de réf. du vendeur 0077424
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Vendeur : Pearlydewdrops, Streat, Royaume-Uni
hardcover. Etat : Very Good. New and unread, however the dust jacket is missing. There is some light shelf wear and marking to cover Shipped from the UK within 2 business days of order being placed. N° de réf. du vendeur mon0000288877
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Vendeur : BWS BKS, Ferndale, NY, Etats-Unis
Hardcover. Etat : New. Orderbook -- IB Tauris -- Drawing Difference: Connections Between Gender and DrawingMarsha Meskimmon, Phil SawdonPaperback | In Stock | £16.99Hardback | In Stock | £59.00Paperback | In Stock | $28.00add to basketHardback | In Stock | $95.00add to basketRequest an inspection copySee others in the seriesDescription Bibliographic Info Imprint: I. B. TaurisPublisher: I. B. Tauris & Co LtdSeries: Drawing inPaperbackISBN: 9781784530273Publication Date: 30 Mar 2016Number of Pages: 224Height: 216Width: 138HardbackISBN: 9781784530266Publication Date: 29 Mar 2016Number of Pages: 224Height: 216Width: 138; *** FREE UPGRADE to Courier/Priority Shipping Upon Request *** - *** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy, brand new, pristine, never opened â" with a bonus offer--; Drawing in. N° de réf. du vendeur 124299
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Vendeur : BWS BKS, Ferndale, NY, Etats-Unis
Hardcover. Etat : New. Orderbook - Purchased from Shamansky new items added week of April 18, 2016 or ff -; *** FREE UPGRADE to Courier/Priority Shipping Upon Request *** - *** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy, brand new, pristine, never opened - -- with a bonus offer--; Drawing in. N° de réf. du vendeur 119308
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