Features new research and original contributions to modern and contemporary art and architectural history and theory by distinguished scholars in field.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Mechtild Widrich is Associate Professor of Art History, Theory and Criticism at the School of the Art Institute of Chicago, USA.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Widney Manor Books, Solihull, MIDLA, Royaume-Uni
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Vendeur : CitiRetail, Stevenage, Royaume-Uni
Hardcover. Etat : new. Hardcover. Does participatory art and architecture shape social reality, or is it shaped by it?Shifting the ground of this debate, which tends to assume one or other direction of influence, this innovative book explores the inherently dialectic relationship between society and the built environment. At the same time, it strives for a historically conscious discussion of a very contemporary issue. Chapters rethink the top-down model of participation and audience activation of high modernism, from Alexander Dorners immersive museum to Mies van der Rohes room(s) for play; investigate participation in spaces under political pressure, from exhibitions in bombed-out buildings in besieged Sarajevo (1992-5) to the art and organizing of revolution in Egypt (2012-13); draw historical parallels between modes of participation and the exercise of power that are seldom compared with one another, from sites of occupation in 1968 Mexico and 2011 Spain; finally creating links between cartography and feminism and between tourism and internet surveillance.With these juxtapositions of the aesthetic and the everyday, and the built and the mediated, new questions arise: is space formed once and for all, or is it the changeable product of changeable patterns of use? Does the aesthetic always correspond to the political, or might an aesthetically authoritarian space be conducive to social justice? In exploring these questions, this book looks at how participants themselves exert power, rather than being victimised or liberated from it. Features new research and original contributions to modern and contemporary art and architectural history and theory by distinguished scholars in field. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9781784530303
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Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-Unis
Hardcover. Etat : new. Hardcover. Does participatory art and architecture shape social reality, or is it shaped by it?Shifting the ground of this debate, which tends to assume one or other direction of influence, this innovative book explores the inherently dialectic relationship between society and the built environment. At the same time, it strives for a historically conscious discussion of a very contemporary issue. Chapters rethink the top-down model of participation and audience activation of high modernism, from Alexander Dorners immersive museum to Mies van der Rohes room(s) for play; investigate participation in spaces under political pressure, from exhibitions in bombed-out buildings in besieged Sarajevo (1992-5) to the art and organizing of revolution in Egypt (2012-13); draw historical parallels between modes of participation and the exercise of power that are seldom compared with one another, from sites of occupation in 1968 Mexico and 2011 Spain; finally creating links between cartography and feminism and between tourism and internet surveillance.With these juxtapositions of the aesthetic and the everyday, and the built and the mediated, new questions arise: is space formed once and for all, or is it the changeable product of changeable patterns of use? Does the aesthetic always correspond to the political, or might an aesthetically authoritarian space be conducive to social justice? In exploring these questions, this book looks at how participants themselves exert power, rather than being victimised or liberated from it. Features new research and original contributions to modern and contemporary art and architectural history and theory by distinguished scholars in field. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781784530303
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Vendeur : moluna, Greven, Allemagne
Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Features new research and original contributions to modern and contemporary art and architectural history and theory by distinguished scholars in field.KlappentextFeatures new research and original contributions to modern and contemp. N° de réf. du vendeur 39173467
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Vendeur : Revaluation Books, Exeter, Royaume-Uni
Hardcover. Etat : Brand New. 320 pages. 8.75x5.75x1.25 inches. In Stock. N° de réf. du vendeur x-1784530301
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Vendeur : Kennys Bookstore, Olney, MD, Etats-Unis
Etat : New. Features new research and original contributions to modern and contemporary art and architectural history and theory by distinguished scholars in field. Editor(s): Stierli, Martino; Widrich, Mechtild. Series: International Library of Visual Culture. Num Pages: 320 pages. BIC Classification: ABA; AMA. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 150 x 223 x 35. Weight in Grams: 580. . 2015. hardcover. . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9781784530303
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Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. Features new research and original contributions to modern and contemporary art and architectural history and theory by distinguished scholars in field. Editor(s): Stierli, Martino; Widrich, Mechtild. Series: International Library of Visual Culture. Num Pages: 320 pages. BIC Classification: ABA; AMA. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 150 x 223 x 35. Weight in Grams: 580. . 2015. hardcover. . . . . N° de réf. du vendeur V9781784530303
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