Godard and Sound: Acoustic Innovation in the Late Films of Jean-Luc Godard - Couverture rigide
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Synopsis
For the first time, this book brings together Jean-Luc Godard's later multimedia works with an analysis of their complex soundscapes.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
À propos de l?auteur
Albertine Fox is Lecturer in French Film at the University of Bristol. She has published on film sound, music and voice in relation to Jean-Luc Godard's cinema and video art. Her articles have appeared in Studies in French Cinema, SEQUENCE, and Sight & Sound online and her chapter on `Constructing Voices in Sauve qui peut (la vie)' was awarded the 2014 Susan Hayward Prize by the Association for Studies in French Cinema.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Godard and Sound: Acoustic Innovation in the Late Films of Jean-Luc Godard (International Library of the Moving Image)
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I.B. Tauris, 2018
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ISBN 13 : 9781784538422
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Godard and Sound
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Bloomsbury Publishing (UK), 2017
ISBN 10 : 1784538426
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Godard and Sound : Acoustic Innovation in the Late Films of Jean-Luc Godard
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Godard and Sound
Edité par
Bloomsbury Publishing (UK), 2017
ISBN 10 : 1784538426
ISBN 13 : 9781784538422
Neuf
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Godard and Sound: Acoustic Innovation in the Late Films of Jean-Luc Godard (International Library of the Moving Image)
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Godard and Sound : Acoustic Innovation in the Late Films of Jean-Luc Godard
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Godard and Sound : Acoustic Innovation in the Late Films of Jean-Luc Godard
Edité par
I.B. Tauris, 2018
ISBN 10 : 1784538426
ISBN 13 : 9781784538422
Ancien ou d'occasion
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Godard and Sound : Acoustic Innovation in the Late Films of Jean-Luc Godard
Edité par
I.B. Tauris, 2018
ISBN 10 : 1784538426
ISBN 13 : 9781784538422
Ancien ou d'occasion
Couverture rigide
Vendeur : GreatBookPricesUK, Woodford Green, Royaume-Uni
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Godard and Sound (Hardcover)
Edité par
Bloomsbury Publishing PLC, London, 2017
ISBN 10 : 1784538426
ISBN 13 : 9781784538422
Neuf
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Hardcover. Etat : new. Hardcover. What happens when we listen to a film? How can we describe the relationship of sound to vision in cinema, and in turn our relationship as spectators with the audio-visual? Jean-Luc Godard understood the importance of the soundtrack in cinema and relied heavily on the impact of carefully constructed sound to produce innovative effects. For the first time, this book brings together his post-1979 multimedia works, and an analysis of their rich soundscapes.The book provides detailed critical discussions of feature-length films, shorts and videos, delving into Godard's inventive experiments with the cinematic soundtrack and offering new insights into his latest 3D films. By detailing the production contexts and philosophy behind Godard's idiosyncratic sound design, it provides an accessible route to understanding his complex use of music, speech and environmental sound, alongside the distorting effects of speed alteration and auditory excess. The book is framed by the concept of 'acoustic spectatorship': a way of cultivating active listening in the viewer.It also draws on ideas by leading sound theorists, philosophers, musicians, and poets, giving particular emphasis to the pioneering thought of French sound engineer and theorist, Pierre Schaeffer.Softening the boundaries between film studies, sound studies and musicology, Godard and Sound re-evaluates Godard's work from a sonic perspective, and will prove essential reading for those wishing to rebalance the importance of sound for the study of cinema. For the first time, this book brings together Jean-Luc Godard's later multimedia works with an analysis of their complex soundscapes. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781784538422
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Godard and Sound (Hardcover)
Edité par
Bloomsbury Publishing PLC, London, 2017
ISBN 10 : 1784538426
ISBN 13 : 9781784538422
Neuf
Couverture rigide
Vendeur : CitiRetail, Stevenage, Royaume-Uni
Évaluation du vendeur 5 sur 5 étoiles
Hardcover. Etat : new. Hardcover. What happens when we listen to a film? How can we describe the relationship of sound to vision in cinema, and in turn our relationship as spectators with the audio-visual? Jean-Luc Godard understood the importance of the soundtrack in cinema and relied heavily on the impact of carefully constructed sound to produce innovative effects. For the first time, this book brings together his post-1979 multimedia works, and an analysis of their rich soundscapes.The book provides detailed critical discussions of feature-length films, shorts and videos, delving into Godard's inventive experiments with the cinematic soundtrack and offering new insights into his latest 3D films. By detailing the production contexts and philosophy behind Godard's idiosyncratic sound design, it provides an accessible route to understanding his complex use of music, speech and environmental sound, alongside the distorting effects of speed alteration and auditory excess. The book is framed by the concept of 'acoustic spectatorship': a way of cultivating active listening in the viewer.It also draws on ideas by leading sound theorists, philosophers, musicians, and poets, giving particular emphasis to the pioneering thought of French sound engineer and theorist, Pierre Schaeffer.Softening the boundaries between film studies, sound studies and musicology, Godard and Sound re-evaluates Godard's work from a sonic perspective, and will prove essential reading for those wishing to rebalance the importance of sound for the study of cinema. For the first time, this book brings together Jean-Luc Godard's later multimedia works with an analysis of their complex soundscapes. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9781784538422
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