In an era of intensifying globalization and transnational connectivity, the dynamics of cultural production and the very notion of creativity are in transition. Exploring creative practices in various settings, the book does not only call attention to the spread of modernist discourses of creativity, from the colonial era to the current obsession with 'innovation' in neo-liberal capitalist cultural politics, but also to the less visible practices of copying, recycling and reproduction that occur as part and parcel of creative improvization.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Maruska Svasek is Professor of Anthropology at the School of History and Anthropology at Queens University, Belfast. Major publications include Mixed Emotions. Anthropology of Feeling (Berg 2005) Anthropology, Art and Cultural Production (Pluto 2007), Emotions and Human Mobility. Ethnographies of Movement (Routledge 2012), Moving Subjects, Moving Objects: Transnationalism, Cultural Production and Emotions (Berghahn 2012). She is co-editor of the Berghahn series Material Mediations: People and Things in a World of Movement.
Birgit Meyer (PhD cultural anthropology, 1995) is Professor of Religious Studies at Utrecht University. She is co-editor of Material Religion and the Berghahn series Material Mediations: People and Things in a World of Movement. Recent publications include Aesthetic Formations. Religion, Media and the Senses (ed, Palgrave 2009), Things. Religion and the Question of Materiality (ed with Dick Houtman, Fordham 2012) and Sensational Movies. Video Vision and Christianity in Ghana (University of California Press, 2015).
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardback. Etat : New. In an era of intensifying globalization and transnational connectivity, the dynamics of cultural production and the very notion of creativity are in transition. Exploring creative practices in various settings, the book does not only call attention to the spread of modernist discourses of creativity, from the colonial era to the current obsession with 'innovation' in neo-liberal capitalist cultural politics, but also to the less visible practices of copying, recycling and reproduction that occur as part and parcel of creative improvization. N° de réf. du vendeur LU-9781785331817
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Hardback. Etat : New. In an era of intensifying globalization and transnational connectivity, the dynamics of cultural production and the very notion of creativity are in transition. Exploring creative practices in various settings, the book does not only call attention to the spread of modernist discourses of creativity, from the colonial era to the current obsession with 'innovation' in neo-liberal capitalist cultural politics, but also to the less visible practices of copying, recycling and reproduction that occur as part and parcel of creative improvization. N° de réf. du vendeur LU-9781785331817
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Gebunden. Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Exploring creative practices in various settings, the book calls attention to the spread of modernist discourses of creativity, from the colonial era to the current obsession with innovation in neo-liberal capitalist cultural politics.Über . N° de réf. du vendeur 448320633
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Buch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Describes how in an era of intensifying globalization and transnational connectivity, the dynamics of cultural production and the very notion of creativity is in transition. Highlights the spread of modernist discourses of creativity. The contributions are based on a long term collaborative research project in the spheres of the arts, religion, fashion and museum practice in Europe, India, Africa, Australia and the Americas. N° de réf. du vendeur 9781785331817
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