A WICKEDLY HONEST PORTRAIT OF MIDDLE ENGLAND ON THE EVE OF COVID
'A hymn to the mundane, as intricately crafted as an Ayckbourn play. A brilliant first novel' AILSA COX
It's 2019 in Sudleigh, a market town not far from the south coast. It's not a bad place to live, provided the new housing development doesn't ruin it, but most residents are too caught up in their own grudges, sores and struggles to notice. Gap-year Tom is cleaning toilets but finding unexpected solace in his Chinese house-share. Former lounge musician Frank wants to pass his carpet business to his nephew Josh, killing the boy's dream to become a chef. Sharp-elbowed phone-sex operator Heather will stop at nothing to become manager of the golf club. Miss Bennett keeps putting her house on the market when she doesn't want to move. Do they all know how their lives are linked? And will creative writing tutor Tony, hard at work on his ironic pseudo-children's book The Jazz Cats, ever pluck up the courage to leave his unappreciative girlfriend Lydia? Meticulously observed, with flashes of wicked comedy, We Need to Talk offers a jigsaw puzzle of unwitting connections for the reader to assemble. The finished picture is an unflinchingly honest portrait of multi-jobbing, gig-economy Middle England on the eve of Covid.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Jonathan Crane completed an MA Literature and a PhD in Creative Writing at the University of Essex, where he is now an academic in Creative Writing. He also works with charities to design and deliver writing programmes in prison and community settings. His previous writing includes fiction and academic papers. Formerly a musician/composer, he has released two albums. We Need to Talk is his first novel.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : Very Good. A wickedly honest portrait of Middle England on the eve of Covid As intricately crafted as an Ayckbourn play Ailsa Cox Striking and stirring Grazia Its 2019 in Sudleigh, a market town not far from the south coast. Its not a bad place to live, provided the new housing development doesnt ruin it, but most residents are too caught up in their own grudges, sores and struggles to notice. Gap-year Tom is cleaning toilets but finding unexpected solace in his Chinese house-share. Former lounge musician Frank wants to pass his carpet business to his nephew Josh, killing the boys dream to become a chef. Sharp-elbowed phone-sex operator Heather will stop at nothing to become manager of the golf club. Miss Bennett keeps putting her house on the market when she doesnt want to move. Do they all know how their lives are linked? And will creative writing tutor Tony, hard at work on his ironic pseudo-childrens book The Jazz Cats, ever pluck up the courage to leave his unappreciative girlfriend Lydia? Meticulously observed, with flashes of wicked comedy, We Need to Talk offers a jigsaw puzzle of unwitting connections for the reader to assemble. The finished picture is an unflinchingly honest portrait of multi-jobbing, gig-economy Middle England on the eve of Covid. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. N° de réf. du vendeur GOR011519293
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Paperback. Etat : New. A wickedly honest portrait of Middle England on the eve of Covid 'As intricately crafted as an Ayckbourn play' Ailsa Cox 'Striking and stirring' Grazia It's 2019 in Sudleigh, a market town not far from the south coast. It's not a bad place to live, provided the new housing development doesn't ruin it, but most residents are too caught up in their own grudges, sores and struggles to notice. Gap-year Tom is cleaning toilets but finding unexpected solace in his Chinese house-share. Former lounge musician Frank wants to pass his carpet business to his nephew Josh, killing the boy's dream to become a chef. Sharp-elbowed phone-sex operator Heather will stop at nothing to become manager of the golf club. Miss Bennett keeps putting her house on the market when she doesn't want to move. Do they all know how their lives are linked? And will creative writing tutor Tony, hard at work on his ironic pseudo-children's book The Jazz Cats, ever pluck up the courage to leave his unappreciative girlfriend Lydia? Meticulously observed, with flashes of wicked comedy, We Need to Talk offers a jigsaw puzzle of unwitting connections for the reader to assemble. The finished picture is an unflinchingly honest portrait of multi-jobbing, gig-economy Middle England on the eve of Covid. N° de réf. du vendeur LU-9781785632389
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Paperback. Etat : New. A wickedly honest portrait of Middle England on the eve of Covid 'As intricately crafted as an Ayckbourn play' Ailsa Cox 'Striking and stirring' Grazia It's 2019 in Sudleigh, a market town not far from the south coast. It's not a bad place to live, provided the new housing development doesn't ruin it, but most residents are too caught up in their own grudges, sores and struggles to notice. Gap-year Tom is cleaning toilets but finding unexpected solace in his Chinese house-share. Former lounge musician Frank wants to pass his carpet business to his nephew Josh, killing the boy's dream to become a chef. Sharp-elbowed phone-sex operator Heather will stop at nothing to become manager of the golf club. Miss Bennett keeps putting her house on the market when she doesn't want to move. Do they all know how their lives are linked? And will creative writing tutor Tony, hard at work on his ironic pseudo-children's book The Jazz Cats, ever pluck up the courage to leave his unappreciative girlfriend Lydia? Meticulously observed, with flashes of wicked comedy, We Need to Talk offers a jigsaw puzzle of unwitting connections for the reader to assemble. The finished picture is an unflinchingly honest portrait of multi-jobbing, gig-economy Middle England on the eve of Covid. N° de réf. du vendeur LU-9781785632389
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