The Modernist Bestiary: Translating Animals and the Arts through Guillaume Apollinaire, Raoul Dufy and Graham Sutherland - Couverture rigide
Livre 5 sur 8: Comparative Literature and Culture
Synopsis
The Modernist Bestiary studies Le Bestiaire ou Cortège d'Orphée (1911), a multimedia collaborative work by French-Polish poet Guillaume Apollinaire and French artist Raoul Dufy, and its homonym The Bestiary or Procession of Orpheus (1979) by British artist Graham Sutherland.
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À propos de l?auteur
Sarah Kay teaches French, Comparative Literature and Medieval Studies at New York University. A former Fellow of the British Academy, she has written widely on medieval texts across genres and languages, particularly on poetry and its connections with philosophy and literary theory. Her most recent books are Animal Skins and the Reading Self in Medieval Latin and French Bestiaries and Philology's Vomit: An Essay on the Immortality and Corporeality of Texts (both 2017). Her current work is on medieval song, from Aristotle to opera. Timothy Mathews is Emeritus Professor of French and Comparative Criticism, UCL. In his writing and translating he explores what relating to art can tell us about relating to people. His interests include relations of literary and visual art, translation and creative critical writing. He has written on many modern artists and writers, notably Apollinaire. His most recent monograph is Alberto Giacometti: the Art of Relation (2013). He is currently completing a book of creative critical 'chronicles', and preparing translations of Guillaume Apollinaire and Roland Barthes. He is a member of the Academy of Europe and Officier dans l'Ordre des Palmes Académiques.
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