This catalogue raisonné of the work of Irish artist Janet Mullarney showcases the diverse, innovative, personal and original nature of her work over the last 40 years.
Mullarney, like James Joyce, realised the need to be an outsider. Since 1970 she based her art studio in Italy and then travelled further afield to include Mexico and India, learning about art and life in equal measure, filling notebooks with drawings that held meaning for her, and which influenced her work.
Provocatively, she embraces a marginal position between two countries and between art forms and practices: figurative, when the world craved abstraction; a carver when those skills were decried by the avant-garde; architectural and object-based, when sculpture seemed to be moving towards video and photography.
Ultimately her work is driven by a search for psychic freedom and balance. While the external targets of oppression are present and obvious, Mullarney's work is focused on more self-imposed restraints.
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Born in Dublin in 1952, artist Janet Mullarney works between Ireland and Italy. Largely self-taught, she attended the Accademia di Belle Arti, and Scuola Professionale di Intaglio, in Florence. She has exhibited extensively in Ireland, Mexico, Italy, China, and USA. Her public projects include the Waagstraat Project, with architect Adolfo Natalini, Groningen; Royal Victoria Hospitals, Belfast; Saint Ultan's Primary School, Cherry Orchard, Dublin, with architects O'Donnell+Tuomey. She has won many awards including the Pollock Krasner, the RHA Sculpture Award, the RUA Perpetual Silver Medal and the O'Malley Irish American Cultural award. Her work is held in many public and private collections throughout the world and was among the first tranche of artwork purchased for collection of the newly established Irish Museum of Modern Art (IMMA) in 1992. She was elected a member of Aosdána in 1999 and is represented by Taylor Galleries, Dublin.
Curator and Art Historian, Catherine Marshall was Founding Head of Collections at the Irish Museum of Modern Art and co-editor of The Art and Architecture of Ireland, Vol V, Twentieth Century, Yale, London and Dublin, 2014.
Close friend, art lover and political activist, Mary Ryder has particularly supported Janet Mullarney throughout her career.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Hoosac River Books, Adams, MA, Etats-Unis
Etat : Very Good. Signed by Janet Mullarney. A very nice copy. The pages are clean and unmarked. N° de réf. du vendeur sl526-01jm
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Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. 2019. Hardback. . . . . . N° de réf. du vendeur V9781788550925
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Vendeur : Kennys Bookstore, Olney, MD, Etats-Unis
Etat : New. 2019. Hardback. . . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9781788550925
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Vendeur : Rarewaves USA, HEBRON, KY, Etats-Unis
Hardback. Etat : New. N° de réf. du vendeur LU-9781788550925
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Vendeur : Revaluation Books, Exeter, Royaume-Uni
Hardcover. Etat : Brand New. 222 pages. 11.25x10.00x1.00 inches. In Stock. N° de réf. du vendeur __1788550927
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Vendeur : Rarewaves USA United, HEBRON, KY, Etats-Unis
Hardback. Etat : New. N° de réf. du vendeur LU-9781788550925
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