This book proposes a radically new interpretation of the Divine Comedy's encyclopedism by focusing on Dante's work in light of the medieval imago mundi tradition. By bringing attention to Latin Platonism and twelfth-century authors, the work provides compelling new readings and provocative insights into key figures (e.g. Ulysses).
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Jason M. Baxter is Associate Professor of Humanities at Wyoming Catholic College. Trained at the University of Notre Dame, his research has focused on the Boethian commentary tradition, the twelfth-century poet, Bernard Silvestris, and the influence of Latin platonism on Dante. He is also author of the introductory A Beginner's Guide to the Divine Comedy, published in 2018.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : New. This book proposes a radically new interpretation of the Comedy's encyclopedism by focusing on Dante's work in light of the medieval imago mundi tradition. The work opens with a discussion of how the Florentine poet transgressed every generic boundary in his effort to gather «into one volume» a vast and varied set of creatures, places, landscapes, historical and mythological persons, weather conditions, and arts. It then goes on to show that this extraordinary encyclopedic breadth should be understood in the terms of Boethian and Augustinian spiritual exercises of envisioning the whole world in the mind's eye, which themselves became the interpretive framework for the spiritual ends behind medieval encyclopedic texts. By bringing attention to Latin Platonism and twelfth-century authors (such as Alan of Lille, Bernard Silvestris, William of Conches, Hugh of St. Victor, and Thierry of Chatres), this book provides compelling new readings of the De vulgari eloquentia, as well as provocative insights into key figures (such as Brunetto Latini, Pier della Vigna, and Ulysses) and key passages (Purgatorio 28, Paradiso 26, and Paradiso 33). N° de réf. du vendeur LU-9781788743952
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Taschenbuch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This book proposes a radically new interpretation of the Comedy's encyclopedism by focusing on Dante's work in light of the medieval imago mundi tradition. The work opens with a discussion of how the Florentine poet transgressed every generic boundary in his effort to gather «into one volume» a vast and varied set of creatures, places, landscapes, historical and mythological persons, weather conditions, and arts. It then goes on to show that this extraordinary encyclopedic breadth should be understood in the terms of Boethian and Augustinian spiritual exercises of envisioning the whole world in the mind's eye, which themselves became the interpretive framework for the spiritual ends behind medieval encyclopedic texts. By bringing attention to Latin Platonism and twelfth-century authors (such as Alan of Lille, Bernard Silvestris, William of Conches, Hugh of St. Victor, and Thierry of Chatres), this book provides compelling new readings of the De vulgari eloquentia, as well as provocative insights into key figures (such as Brunetto Latini, Pier della Vigna, and Ulysses) and key passages (Purgatorio 28, Paradiso 26, and Paradiso 33). 188 pp. Englisch. N° de réf. du vendeur 9781788743952
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Paperback. Etat : new. Paperback. This book proposes a radically new interpretation of the Comedys encyclopedism by focusing on Dantes work in light of the medieval imago mundi tradition. The work opens with a discussion of how the Florentine poet transgressed every generic boundary in his effort to gather into one volume a vast and varied set of creatures, places, landscapes, historical and mythological persons, weather conditions, and arts. It then goes on to show that this extraordinary encyclopedic breadth should be understood in the terms of Boethian and Augustinian spiritual exercises of envisioning the whole world in the minds eye, which themselves became the interpretive framework for the spiritual ends behind medieval encyclopedic texts. By bringing attention to Latin Platonism and twelfth-century authors (such as Alan of Lille, Bernard Silvestris, William of Conches, Hugh of St. Victor, and Thierry of Chatres), this book provides compelling new readings of the De vulgari eloquentia, as well as provocative insights into key figures (such as Brunetto Latini, Pier della Vigna, and Ulysses) and key passages (Purgatorio 28, Paradiso 26, and Paradiso 33). This book proposes a radically new interpretation of the Divine Comedys encyclopedism by focusing on Dantes work in light of the medieval imago mundi tradition. By bringing attention to Latin Platonism and twelfth-century authors, the work provides compelling new readings and provocative insights into key figures (e.g. Ulysses). This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781788743952
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Paperback. Etat : new. Paperback. This book proposes a radically new interpretation of the Comedys encyclopedism by focusing on Dantes work in light of the medieval imago mundi tradition. The work opens with a discussion of how the Florentine poet transgressed every generic boundary in his effort to gather into one volume a vast and varied set of creatures, places, landscapes, historical and mythological persons, weather conditions, and arts. It then goes on to show that this extraordinary encyclopedic breadth should be understood in the terms of Boethian and Augustinian spiritual exercises of envisioning the whole world in the minds eye, which themselves became the interpretive framework for the spiritual ends behind medieval encyclopedic texts. By bringing attention to Latin Platonism and twelfth-century authors (such as Alan of Lille, Bernard Silvestris, William of Conches, Hugh of St. Victor, and Thierry of Chatres), this book provides compelling new readings of the De vulgari eloquentia, as well as provocative insights into key figures (such as Brunetto Latini, Pier della Vigna, and Ulysses) and key passages (Purgatorio 28, Paradiso 26, and Paradiso 33). This book proposes a radically new interpretation of the Divine Comedys encyclopedism by focusing on Dantes work in light of the medieval imago mundi tradition. By bringing attention to Latin Platonism and twelfth-century authors, the work provides compelling new readings and provocative insights into key figures (e.g. Ulysses). This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. N° de réf. du vendeur 9781788743952
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