'Eloquently framing their success as the only successful 1960s UK pop/rock group that didn't want to be either The Beatles or The Rolling Stones, Stanfield locates The Who . . . at a boundary-breaking intersection of pop and art-rock.' - Tony Clayton-Lea, Irish Times
'This superb volume . . . feels fresh and without precedent, a scholarly yet thrilling study of the paradoxes that made The Who the most vital band of the '60s' - Shindig!
'Ours is music with built-in hatred.' - Pete Townshend
A Band with Built-In Hate pictures The Who from their inception as the Detours in the mid-sixties to the late seventies, post-Quadrophenia. It is a story of ambition and anger, glamour and grime, viewed through the prism of pop art and the radical levelling of high and low culture that it brought about – a drama that was aggressively performed by the band.
Peter Stanfield lays down a path through the British pop revolution, its attitude and style, as it was uniquely embodied by The Who: first, under the mentorship of arch-mod Peter Meaden, as they learnt their trade in the pubs and halls of suburban London; and then with Kit Lambert and Chris Stamp, two aspiring filmmakers, at the very centre of things in Soho. Guided by contemporary commentators – among them George Melly, Lawrence Alloway and most conspicuously Nik Cohn – Stanfield describes a band driven by belligerence, and of what happened when Townshend, Daltrey, Moon and Entwistle moved from back-room stages to international arenas, from explosive 45s to expansive concept albums. Above all, he tells of how The Who confronted their lost youth as it was echoed in punk.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Peter Stanfield’s books include Maximum Movies: Pulp Fictions and Hoodlum Movies. Music is integral to his work, be it the blue yodel of a singing cowboy or the chug 'n' churn of a biker soundtrack.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Better World Books, Mishawaka, IN, Etats-Unis
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Etat : Good. 44. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. N° de réf. du vendeur 45595179-20
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Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Hardback. Etat : New. 'Ours is music with built-in hatred.' Pete Townshend A Band with Built-In Hate pictures The Who from their inception as the Detours in the mid-sixties to the late seventies, post-Quadrophenia. It is a story of ambition and anger, glamour and grime, viewed through the prism of pop art and the radical levelling of high and low culture that it brought about - a drama that was aggressively performed by the band. Peter Stanfield lays down a path through the British pop revolution, its attitude and style, as it was uniquely embodied by The Who: first, under the mentorship of arch-mod Peter Meaden, as they learnt their trade in the pubs and halls of suburban London; and then with Kit Lambert and Chris Stamp, two aspiring filmmakers, at the very centre of things in Soho. Guided by contemporary commentators - among them George Melly, Lawrence Alloway and most conspicuously Nik Cohn - Stanfield describes a band driven by belligerence, and of what happened when Townshend, Daltrey, Moon and Entwistle moved from back-room stages to international arenas, from explosive 45s to expansive concept albums. Above all, he tells of how The Who confronted their lost youth as it was echoed in punk. N° de réf. du vendeur LU-9781789142778
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Vendeur : INDOO, Avenel, NJ, Etats-Unis
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