''Race Is Everything' more than fulfils the promise of its title . . . a brilliant (and beautiful) work of cultural criticism.' - Sander Gilman, author of Stand Up Straight! A History of Posture
'David Bindman brilliantly explores the ways in which visual art has represented the very idea of racial hierarchy.' - Steven Lukes, New York University
'Race Is Everything' looks at ideas of 'racial science' in the nineteenth century and the first half of the twentieth century, and how art was influenced by them. It looks at race in general, but with a particular concentration on attitudes towards and representations of people of African and Jewish descent. David Bindman argues that behind all racial ideas is the belief that outward appearance, and especially skull-shape, can be correlated with inner character and intelligence, and that these could be used to create a seemingly scientific hierarchy of races.
This book considers many aspects, including the skull as a racial marker; ancient Egypt as a precedent for Southern slavery; Darwin, race and aesthetics; the 'Mediterranean race'; the visual aspects of eugenics; and the racial politics of Emil Nolde.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
David Bindman is Emeritus Durning-Lawrence Professor of the History of Art, University College London and Fellow of the Hutchins Center, Harvard University. He is author or editor of many books including Ape to Apollo: Aesthetics and the Idea of Race in the 18th Century (Reaktion, 2002).
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardcover. Etat : new. Hardcover. 'Race Is Everything' explores the spurious but influential ideas of so-called racial science in the nineteenth and the first half of the twentieth centuries, and how art was affected by it. David Bindman looks at race in general, but with particular concentration on attitudes toward and representations of people of African and Jewish descent. He argues that behind all racial ideas is the belief that outward appearance - and especially skull shape, as studied in the pseudoscience of phrenology - can be correlated with inner character and intelligence, and that these could be used to create a seemingly scientific hierarchy of races. The book considers many aspects of these beliefs, including the skull as a racial marker; ancient Egypt as a precedent for Southern slavery; Darwin, race and aesthetics; the purported 'Mediterranean race'; the visual aspects of eugenics; and the racial politics of Emil Nolde. An examination of 'racial science' in the 19th and early 20th century, and how art was influenced by it. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781789146967
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Hardback. Etat : New. 'Race Is Everything' looks at ideas of 'racial science' in the nineteenth century and the first half of the twentieth century, and how art was influenced by them. It looks at race in general, but with a particular concentration on attitudes towards and representations of people of African and Jewish descent. David Bindman argues that behind all racial ideas is the belief that outward appearance, and especially skull-shape, can be correlated with inner character and intelligence, and that these could be used to create a seemingly scientific hierarchy of races.This book considers many aspects, including the skull as a racial marker; ancient Egypt as a precedent for Southern slavery; Darwin, race and aesthetics; the 'Mediterranean race'; the visual aspects of eugenics; and the racial politics of Emil Nolde. N° de réf. du vendeur LU-9781789146967
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Vendeur : Rarewaves USA, OSWEGO, IL, Etats-Unis
Hardback. Etat : New. 'Race Is Everything' looks at ideas of 'racial science' in the nineteenth century and the first half of the twentieth century, and how art was influenced by them. It looks at race in general, but with a particular concentration on attitudes towards and representations of people of African and Jewish descent. David Bindman argues that behind all racial ideas is the belief that outward appearance, and especially skull-shape, can be correlated with inner character and intelligence, and that these could be used to create a seemingly scientific hierarchy of races.This book considers many aspects, including the skull as a racial marker; ancient Egypt as a precedent for Southern slavery; Darwin, race and aesthetics; the 'Mediterranean race'; the visual aspects of eugenics; and the racial politics of Emil Nolde. N° de réf. du vendeur LU-9781789146967
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