A critical introduction to the music and thought of the German composer Mathias Spahlinger. Explored from his own perspective and discussed critically in relation to the work of French philosopher Jacques Ranciére and the continuing discourses of modernism. The first study on Spahlinger to be published in English. 36 b/w figs.
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Neil Thomas Smith is a composer and postdoctoral researcher at the Maastricht Centre for the Innovation of Classical Music in the Netherlands. He lives in Edinburgh. Martin Iddon is a musicologist and composer and lecturer at the University of Leeds. His articles have been published in Musical Quarterly, Twentieth-Century Music, and Contemporary Music Review.
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Vendeur : AwesomeBooks, Wallingford, Royaume-Uni
hardcover. Etat : Very Good. Mathias Spahlinger (Critical Guides to Contemporary Composers) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. . N° de réf. du vendeur 7719-9781789383348
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Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Hardback. Etat : New. The first book-length study in English of composer Mathias Spahlinger, one of Germany's leading practitioners of contemporary music. One of the most stimulating and provocative figures on the new music scene on Germany, he has long been a touchstone for leftist, 'critical' composition there, yet his work has received very little attention in Anglophone scholarship until now. Born in 1944, Spahlinger has risen only gradually to prominence in his native Germany and for many years was considered an outsider within the contemporary music scene. Yet, his position as one of the most venerable exponents of post-WWII modernism in his homeland is now undeniable: his music is regularly performed, he has received commissions from many of the major orchestras and new music groups in Germany, and in 2014 he received the Großen Berliner Kunstpreis (Berlin Art Prize - Grand Prize) from the city's Akademie der Künste (Academy of Arts).Spahlinger is, however, becoming increasingly known as a significant figure within later twentieth-century music - in 2015, a festival in Chicago focused exclusively on his music, and he was a keynote speaker at a conference on Compositional Aesthetics and the Political at Goldsmiths, University of London.This new book provides an essential reference for scholars of new music and twentieth-century modernism. There are no other book-length studies of Spahlinger in English, though there is a monograph and a book of essays in German, and books of interviews. This original work promises a more critical perspective upon the composer and his aesthetics and political ideas compared to previous publications. The illustrations include musical examples.Its primary market will be a specialist musicological readership, including academics, researchers and composers, but the writing style such that it could be accessible also to undergraduates interested in the field. The discussion of aesthetic debates in post-war Germany, and the interesting reading of the work of Jacques Rancière, means that it could also have significant appeal across the disciplines of philosophy and critical theory. N° de réf. du vendeur LU-9781789383348
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