Critical engagement with local, national and trans-global contemporary punk scenes across countries and regions including New Zealand, Indonesia, South Africa, Siberia and the Philippines. Includes thematic discussions on the evolution and adaptation of subcultural styles, punk demographics and the notion of punk identity. 50 b/w illus.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Russ Bestley is a reader in graphic design and subcultures at the London College of Communication and editor of the journal Punk & Post-Punk.
Mike Dines is a British musician, writer, scholar, and publisher. He is a cofounder, and chair, of the Punk Scholars Network.
Paula Guerra is a researcher and professor of sociology at the Institute of Sociology of the University of Porto and adjunct professor at the Griffith Centre for Social and Cultural Research in Australia.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized. N° de réf. du vendeur M1789383374Z3
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Paperback. Etat : New. This new collection is the second in the Global Punk series. Following the publication of the first volume the series editors invited proposals for a second volume, and selected contributions from a range of interdisciplinary areas, including cultural studies, musicology, ethnography, art and design, history and the social sciences.This collection extends the theme into new territories, with a particular emphasis on contemporary global punk scenes, post-2000, reflecting upon the notion of origin, music(s), identity, careers, membership and circulation.This area of subcultural studies is far less documented than more 'historical' work related to earlier punk scenes and subcultures of the late 1970s and early 1980s. This new volume covers countries and regions including New Zealand, Indonesia, Cuba, Ireland, South Africa, Siberia and the Philippines, alongside thematic discussions relating to trans-global scenes, the evolution of subcultural styles, punk demographics and the notion of punk identity across cultural and geographic boundaries.The book series adopts an essentially analytical perspective, raising questions over the dissemination of punk scenes and their form, structure and contemporary cultural significance in the daily lives of an increasing number of people around the world.This book has a genuine crossover market, being designed in such a way that it can be adopted as an undergraduate student textbook while at the same time having important currency as a key resource for established academics, postdoctoral researchers and PhD students.In terms of the undergraduate market for the book, it is likely that it will be adopted by convenors of courses on popular music, youth culture and in discipline areas such as sociology, popular music studies, urban/cultural geography, political history, heritage studies, media and cultural studies. N° de réf. du vendeur LU-9781789383379
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Paperback. Etat : new. Paperback. While the punk scenes and subcultures of the late 1970s and early 1980s are well known and well documented, the proliferation of punk after the year 2000 has been far less studied. Picking up where The Punk Reader left off, Trans-Global Punk Scenes examines the global influence of punk in the new millennium, with a focus on punk demographics, the evolution of subcultural punk styles, and the notion of punk identity across cultural and geographic boundaries. International in scope and analytical in perspective, the chapters offer insight into the dissemination of punk scenes and their form, structure, and contemporary cultural significance in New Zealand, Indonesia, Singapore, Ireland, South Africa, Mexico, the UK, the US, Siberia, and the Philippines. Critical engagement with local, national and trans-global contemporary punk scenes across countries and regions including New Zealand, Indonesia, South Africa, Siberia and the Philippines. Includes thematic discussions on the evolution and adaptation of subcultural styles, punk demographics and the notion of punk identity. 50 b/w illus. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781789383379
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