Synopsis
Shiny objects attract and fascinate us. While they used to derive their power from their rarity, today shininess is pervasive: its attraction is a foundation of consumer culture and it has attendant effects on our architecture, our conceptions of the body, and our production of spectacle. In Shiny Things, Leonard Diepeveen and Timothy van Laar examine the meanings and functions of shininess in visual art and material culture.
Exploring the works of a diverse range of artists--including Anish Kapoor, Olafur Eliasson, Jeff Koons, Carolee Schneemann, Audrey Flack, Fra Angelico, and Gerard ter Borch--the authors open the discourse to topics as disparate as automobiles, Richard Nixon, and Liberace. With accessible writing and a careful application of contemporary theory, this is scholarship that challenges stale thought and will appeal to any progressive thinker looking for new ways to present ideas.Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
À propos des auteurs
Leonard Diepeveen is the George Munro Professor Emeritus of Literature and Rhetoric in English at Dalhousie University in Nova Scotia, Canada. His most recent books include Modernist Fraud: Hoax, Parody, Deception and Mock Modernism: An Anthology of Parodies, Travesties, Frauds, 1910-1935.
Timothy van Laar is an artist, writer, and professor emeritus of art at the University of Illinois at Urbana-Champaign. His work has been exhibited at the Detroit Institute of Arts, Minneapolis Institute of Art, and Illinois State Museum. He is the coauthor of several books, most recently Artworld Prestige: Arguing Cultural Value.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Shiny Things: Reflective Surfaces and Their Mixed Meanings
Edité par
Intellect Ltd, 2021
ISBN 10 : 1789383781
ISBN 13 : 9781789383782
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Paperback. Etat : New. Shiny Things combines an interest in visual art with a broad attention to popular culture - the wideness of its range is striking. It is more than just an expansion of subject matter, which many of today's innovative books also have - it considers how a specific physical property manifests itself in both art and culture at large, and contributes to an analysis of and polemics about the world. It is accessibly written but with a careful application of contemporary theory.Interesting, informative, and entertaining, this will appeal to progressive thinkers looking for new ways of presenting ideas. This is scholarship that challenges stale thought and interacts with philosophical ideas in real time, with a versatility that can often be lacking in traditional academic scholarship.Using art, especially contemporary art, as its recurrent point of reference, the authors argue that shininess has moved from a time when rarity gave shiny things a direct meaning of power and transcendence. Shininess today is pervasive; its attraction is a foundation of consumer culture with its attendant effects on our architecture, our conceptions of the body, and our production of spectacle. Power and the sacred as readings of the shiny have given way to readings of superficiality, irony and anxiety, while somehow shininess has maintained its qualities of fascination, newness and cleanliness.Examines the meanings and functions of shininess in art and in culture more generally: its contradictions of both preciousness and superficiality, and its complexities of representation; the way shininess itself is physically and metaphorically present in the construction of major conceptual categories such as hygiene, utopias, the sublime and camp; and the way the affects of shininess, rooted in its inherent disorienting excess, produce irony, anxiety, pleasure, kitsch, and fetishism. All of these large ideas are embodied in the instantly noticeable, sometimes precious and sometimes cheap physical presence of shiny things, those things that catch our eye and divert our attention. Shininess, then, is a compelling subject that instantly attracts and fascinates people.The book engages primarily with visual art, although it makes frequent use of material culture, as well as advertising, film, literature, and other areas of popular and political culture. The art world, however, is a place where many of the affects of shininess come into clearest focus, where the polemical semiotics of shine are most evident and consciously explored. Artists as diverse as Anish Kapoor (whose popular Cloud Gate sculpture in Chicago is a repeating example in the book), Olafur Eliasson, Jeff Koons, Carolee Schneemann, Audrey Flack, Fra Angelico and Gerard ter Borch centre the book in an art discourse that opens up to automobiles, Richard Nixon and Liberace.Will be relevant to academics, scholars and students with an interest in contemporary theory and material and popular cultures. Potential interest across th. N° de réf. du vendeur LU-9781789383782
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Shiny Things : Reflective Surfaces and Their Mixed Meanings
Edité par
Intellect Ltd, 2021
ISBN 10 : 1789383781
ISBN 13 : 9781789383782
Ancien ou d'occasion
Couverture souple
Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
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Shiny Things (Paperback)
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Paperback. Etat : new. Paperback. Shiny objects attract and fascinate us. While they used to derive their power from their rarity, today shininess is pervasive: its attraction is a foundation of consumer culture and it has attendant effects on our architecture, our conceptions of the body, and our production of spectacle. In Shiny Things, Leonard Diepeveen and Timothy van Laar examine the meanings and functions of shininess in visual art and material culture. Exploring the works of a diverse range of artistsincluding Anish Kapoor, Olafur Eliasson, Jeff Koons, Carolee Schneemann, Audrey Flack, Fra Angelico, and Gerard ter Borchthe authors open the discourse to topics as disparate as automobiles, Richard Nixon, and Liberace. With accessible writing and a careful application of contemporary theory, this is scholarship that challenges stale thought and will appeal to any progressive thinker looking for new ways to present ideas. Discusses meanings of shininess in art and in culture generally. Shininess is physically and metaphorically present in the construction of concepts such as utopia, the sublime, and camp; and the way its affects, rooted in excess produce irony, anxiety, pleasure and kitsch. A compelling subject that instantly attracts and fascinates. 54 b/w illus. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781789383782
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Shiny Things
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SHINY THINGS
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Shiny Things
Vendeur : Rarewaves USA, OSWEGO, IL, Etats-Unis
Évaluation du vendeur 5 sur 5 étoiles
Paperback. Etat : New. Shiny Things combines an interest in visual art with a broad attention to popular culture - the wideness of its range is striking. It is more than just an expansion of subject matter, which many of today's innovative books also have - it considers how a specific physical property manifests itself in both art and culture at large, and contributes to an analysis of and polemics about the world. It is accessibly written but with a careful application of contemporary theory.Interesting, informative, and entertaining, this will appeal to progressive thinkers looking for new ways of presenting ideas. This is scholarship that challenges stale thought and interacts with philosophical ideas in real time, with a versatility that can often be lacking in traditional academic scholarship.Using art, especially contemporary art, as its recurrent point of reference, the authors argue that shininess has moved from a time when rarity gave shiny things a direct meaning of power and transcendence. Shininess today is pervasive; its attraction is a foundation of consumer culture with its attendant effects on our architecture, our conceptions of the body, and our production of spectacle. Power and the sacred as readings of the shiny have given way to readings of superficiality, irony and anxiety, while somehow shininess has maintained its qualities of fascination, newness and cleanliness.Examines the meanings and functions of shininess in art and in culture more generally: its contradictions of both preciousness and superficiality, and its complexities of representation; the way shininess itself is physically and metaphorically present in the construction of major conceptual categories such as hygiene, utopias, the sublime and camp; and the way the affects of shininess, rooted in its inherent disorienting excess, produce irony, anxiety, pleasure, kitsch, and fetishism. All of these large ideas are embodied in the instantly noticeable, sometimes precious and sometimes cheap physical presence of shiny things, those things that catch our eye and divert our attention. Shininess, then, is a compelling subject that instantly attracts and fascinates people.The book engages primarily with visual art, although it makes frequent use of material culture, as well as advertising, film, literature, and other areas of popular and political culture. The art world, however, is a place where many of the affects of shininess come into clearest focus, where the polemical semiotics of shine are most evident and consciously explored. Artists as diverse as Anish Kapoor (whose popular Cloud Gate sculpture in Chicago is a repeating example in the book), Olafur Eliasson, Jeff Koons, Carolee Schneemann, Audrey Flack, Fra Angelico and Gerard ter Borch centre the book in an art discourse that opens up to automobiles, Richard Nixon and Liberace.Will be relevant to academics, scholars and students with an interest in contemporary theory and material and popular cultures. Potential interest across th. N° de réf. du vendeur LU-9781789383782
Acheter neuf
EUR 35,15
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Expédition nationale : Etats-Unis
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