The first academic collection dedicated to the histories, heritage, people and places of popular music in Leeds. It presents critical social and historical case studies exploring Leeds' music and musical spaces, central players - musicians and music industry figures, and key moments in diverse musical scenes in the city. 36 b/w illus.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Brett Lashua is lecturer in sociology of the media and education, University College London.
Karl Spracklen is professor of sociology of leisure and culture at Leeds Beckett University.
Kitty Ross is curator of Leeds history and social history, Leeds Museums and Galleries.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Destinations, frais et délaisVendeur : Greenworld Books, Arlington, TX, Etats-Unis
Etat : good. Fast Free Shipping â" Good condition book with a firm cover and clean, readable pages. Shows normal use, including some light wear or limited notes highlighting, yet remains a dependable copy overall. Supplemental items like CDs or access codes may not be included. N° de réf. du vendeur GWV.1789388619.G
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Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
paperback. Etat : Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized. N° de réf. du vendeur M1789388619Z2
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Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
paperback. Etat : Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized. N° de réf. du vendeur M1789388619Z3
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Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
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Paperback. Etat : new. Paperback. A groundbreaking study of music and musical history in Leeds. This is the first scholarly volume to focus on popular music in Leeds. It delves into the rich musical history of Leeds and its long tradition of vibrant venues, nightclubs, dance halls, pubs, and other sites of musical entertainment. The contributors use the popular music of Leeds to exemplify and inform understandings of broader cultural and urban changes, the social and historical significance of music as mass media; music and migration; music, racialization, and social equity; and industrial decline, deindustrialization, neoliberalism, and the rise of the twenty-four-hour city. Charting moments of stark musical politicization and de-politicization, while also tracing arguments about heritagizing popular music within discussions about musics place in museums and in the urban economy, this book contributes to debates about why music matters, has mattered, and continues to matter in Leeds and beyond. The first academic collection dedicated to the histories, heritage, people and places of popular music in Leeds. It presents critical social and historical case studies exploring Leeds music and musical spaces, central players - musicians and music industry figures, and key moments in diverse musical scenes in the city. 36 b/w illus. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781789388619
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Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
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Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
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Vendeur : Rarewaves USA, OSWEGO, IL, Etats-Unis
Paperback. Etat : New. This first academic collection dedicated to popular music in Leeds - developed from the work of interdisciplinary scholars, drawn from a major public museum exhibition "Sounds of Our City" and built upon contemporary research. Leeds has rich musical histories and heritage, a long tradition of vibrant music venues, nightclubs, dance halls, pubs and other sites of musical entertainment. The city has spawned crooners, folk singers, punks, post- punks, Goths, DJs, popstars, rappers and indie rockers, yet - with a few exceptions - Leeds has not been studied for its scenes in ways that other UK cities have. In ways that the chapters explore, Leeds' popular music exemplifies and informs understandings of broader cultural and urban changes - both in Britain and across wider global contexts - of the social and historical significance of music as mass media; music and migration; music, racialisation and social equity; industrial decline, de-industrialisation, neoliberalism and the rise of the 24-hour city. Charting moments of stark musical politicisation and de-politicisation, while concomitantly tracing arguments about "heritagising" popular music within discussions about music's "place" in museums and in the urban economy, this book contributes to debates about why music matters, has mattered, and continues to matter in Leeds, and beyond. N° de réf. du vendeur LU-9781789388619
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